Word: blacking
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...learned.”Throughout the album, Trapper continues to tell morality tales. In their song “God & Suicide,” Trapper breaks the norm and boldly declares “I can live with God and with suicide.” “Black River Killer,” probably the strongest song on the album, tells a harrowing story of a serial-killer cowboy. Assuming something of the murder ballad form, Earley tackles the spiritual consequences of murder and guilt. The evocative lyrics showcase Earley in his most poetic form as he describes...
...front of shelves of other books, Dewey invites me to just curl up with him right here and fall into a fantasy land of good reading. (Note: cat not included in cost of purchase.) IZZY AND LENORE: TWO DOGS, AN UNEXPECTED JOURNEY, AND ME by Jon Katz A robust black lab pup stares into my eyes as if I have all the answers in the world. There really is nothing like a warm and fuzzy animal to make me feel warm and fuzzy. Yes, I can and will just take this puppy into my arms and love it. (Note...
...McCain had been trotting out a black wristband from the mother of a Corporal Matthew Stanley for cheap sympathy points since August of last year. I should have seen it coming: At just the right moment and in a lowered voice, he intoned, “She said, ‘Senator McCain, I want you to do everything—promise me one thing, that you’ll do everything in your power to make sure that my son’s death was not in vain...
...Revolution ’67” at Harvard Law School last night explored issues of protest and community organization with an audience from throughout Harvard’s schools and the local community. The film, a documentary originally produced for and shown on PBS in 2007, portrays the black community’s violent riots in Newark, New Jersey, in the summer of 1967. It goes on to discuss how “the plight of the poor is forgotten” in the history of the ’60s and in important modern policy decisions. A panel...
...have served to elevate its subject matter, only deadens it. Just as Kinnear portrays a very ordinary man, director Marc Abraham places him in a very dreary world—1950s Detroit. The color quality of the film is bleak and sometimes so washed-out as to seem almost black and white. The muted music of the soundtrack is often overshadowed by background noises, such as people murmuring in a restaurant or traffic on a puddle-filled street. The only breaks from the film’s monotony are certain melodramatic sequences, such as one in which Kearns, driving around...