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Sturdily Miss Ishbel MacDonald refused to speak or write for pay while her Prime Minister father was the guest of President Herbert Hoover (TIME, Oct. 14, 21). But safe back in England last week, the Scotch lassie put by a tidy bit for three articles sold to the New York Evening Post. Like Ishbel's eyes, the articles sparkled yet were thoughtful. They answered the question: "What does Ishbel MacDonald think about...

Author: /time Magazine | Title: Foreign News: Ishbel's Thoughts | 11/11/1929 | See Source »

...stand for) certain conventions in the best of bloody melodramas. The locale is a little town in England, in the dusty shadows of the cathedral close. It is a good stage for a mystery, though one might accuse Mr. Reeve of overdoing the underground passage and hidden chapels a bit for his effect. The story moves swiftly enough, although it might have been better-handled...

Author: By G. P., | Title: THE GINGER CAT. BY Christopher Reeve. William Morrow & Co. New York, 1929, $2.00, | 11/9/1929 | See Source »

Harvard's touring troupe had dinner enroute just before reaching this state capital. After dinner, an informal meeting was held in one of the teams' sleepers, Horween and one or two other coaches doing a bit of blackboarding on Michigan plays...

Author: By V. O. Jones, | Title: HORWEEN DRILLS ELEVEN ENROUTE | 11/8/1929 | See Source »

...ever, expert and sometimes unintelligible. Of the tricks of emphasis and accent she is still past-mistress. In this disappointing play she is accompanied by another oldtimer, Wilton Lackaye, who made mesmerist Svengali famous (Trilby, 1895), who returns, after a three-year illness, to do an excellent bit as the exasperated Judge...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Nov. 4, 1929 | 11/4/1929 | See Source »

...which would be impossible after the impost block was set in place. Many archeologists have believed that the beautiful carving of these capitals indicated a date well advanced in the twelfth century and that the capitals must, therefore, have been sculptured long after they were set in place. The bit of carving to which attention has just been called and similar passages on other capitals prove that this is not the case and that the capitals are to be regarded as masterpieces of the eleventh and not of the twelfth century...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 11/1/1929 | See Source »

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