Word: birde
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...Bubier, J. S. King; 18-20, T. E. Alcorn, W. H. Brawley, L. E. Hodges; 21-23, C. A. McLain, A. P. McMahon, W. F. Whitman; 22-24, G. F. Bird, D. E. Dunbar, F. E. Richter; 25-27, D. H. Bigelow, G. F. Cherry, H. J. Smith; 26-28, P. S. Bliss, P. B. Halstead; 29-31, H. G. Knight, J. R. Marshall; 32, P. J. Stearns, R. D. Whittemore...
...first practice of the year. They will report regularly for work in the Gymnasium until February 12 when practice for the whole squad will start in the Cage. The preliminary work as outlined by Dr. Sexton yesterday will consist of exercise with the chest weights. Young and Bird are the only men who have played on a University team to report yesterday. All who have formerly been on the University squad, however, are expected to come out for this work. Those who reported for the University squad are as follows: B. Beaman '14, F. O. Bergquist sC., G. F. Bird...
...editor of the paper, has done a brilliant piece of work that sets a high standard for the drawings. And almost all are good, some very funny in themselves, some admirably illustrating the verses that accompany them. The caricatures are excellent, especially the clever pictorial review of the Blue Bird. The whole number, however, overflows with a good, healthy, fantastic humor. It never descends into profundity, is not boastful as some Yale Game numbers have been, but is as ready to make high-spirited fun of our own failures as of those of our guests...
...following men through connection with last year's crew or baseball team have been invited: A. T. Abeles '13, C. T. Abeles '13, Y. Arai '12, R. C. Babson '12, G. H. Balch '12, G. F. Bird '13, I. C. Bolton '12, J. P. Carr '11, R. C. Clifford '12, J. H. Coon '13, R. W. Cutler '11, J. R. Desha '12, F. S. Ernst '12, H. T. Gibson '12, A. M. Goodale '13, C. Hann '11, E. C. Hardy '13, H. R. Howe '12, F. W. Hubbell '13, O. Iselin '11, G. E. Jones '11, A. J. Kelly...
...paper outlines a method of spreading Harvard influence through the West without seeming unpleasantly officious. The play reviews are decidedly entertaining, but unequal, and in each case the reviewer has curiously reflected the actual language of the performance he witnessed. Thus the language of the reviews of "The Blue Bird" and of "Kathleen Ni Hoolihan" approaches critical dignity, while the dialect of the reviews of the musical comedies suggests the influence of comic opera lyrics. Mr. McMahon's letter on "The Playboy" capably presents one side of the discussion that has risen over that drama...