Word: binning
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Behind the counter "Our Special juicy grilled Steak Plate" is coming down to make way for Scrambled Eggs and Bacon. And one blatantly red jello with stiff whipped cream topping goes begging in the ice bin...
...struggle that continues despite the signing of an armistice in 1965. Though he has lost some 5,000 Egyptian troops, Nasser vows to "stay in Yemen 20 years if necessary." Monarchist guerrillas, garrisoned in mountain caves, are not budging either. "We live here," says their military chieftain, Prince Hussein bin Ahmed. "We are prepared to fight for 50 years to keep Nasser out, just as we did the Ottoman Turks...
...blow the barricades fell, and the avant-garde came storming through. Robert Downey's Chafed Elbows, the shaggy-surreal saga of a Village idiot who hopes to get rich quick by persuading female midgets to use contact lenses as contraceptives, opened in a Lower East Side cin bin that was soon crammed by the cab trade from uptown. And Shirley Clarke's Jason, a harrowing 120-minute interview with a black male prostitute, was offered a midtown opening as a hard-eyed cautionary tale and a surefire succes de scandale...
...ensemble of 26 singers and 11 instrumentalists performed the cantatas "Der Herr denket an uns" (BWV 196), "Ich bin ein guter Hirt" (BWV 85), "Ihr Menschen, Ruehmet Gottes Liebe" (BWV 167), and the motet "Komm, Jesu, komm" (BWV 229) elegantly and unpretentiously. They produced a full but never heavy sound; the chorus's long threads of melody were sung smoothly and sensitively; the diction was inpeccable. Collins's phrasing and dynamics avoided the spectacular, but could be striking on occasion through their subtlety. He chose to take the final cadence of "Der Herr denket" simply and quietly, rather than grandly...
...elimination of these solos was all the more puzzling because the soloists did begin to sing in "Ich bin ein guter Hirt." Marsha Vleck, soprano; Jane Struss, contralto; Karl Dan Sorensen, tenor, and Francis Hester, bass, all sang clearly and sensitively, and, like the chorus, without any heaviness or pretension. Sorensen was especially fine, floating without apparent effort over long lines almost continuously in his highest register. Hester was stronger in "Ihr Menschen" than in "Ich bin ein guter Hirt," in which there were moments when he was almost covered by the orchestra. Penelope Ann Colwell and Cynthia Weinrich...