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...BOMBER).But since I only have 70 lines, I can't tell you all those stories. Instead, I'll have to concentrate on two runners: a Turk named Veli Bally (or Eeli Bally, depending on your command of Turkish) and a Winthrop House sophomore by the name of Bill Berkeley...

Author: By Jefferson M. Flanders, | Title: Two Marathon Stories | 4/19/1977 | See Source »

Cross-country runners Kraus and Sullivan will be joined by teammate Bill Berkeley, formerly of Winthrop House and New Canaan, Conn., who has 2:40 ambitions for his second marathon. Berkeley finished the Silver Lake jaunt in 2:48, but his 50-to-70-mile training regimen has "been inconsistent because of school work...

Author: By Jefferson M. Flanders and Michael Kendall, S | Title: Runners Come East to Marathon Mecca | 4/18/1977 | See Source »

...have turned the novel into a pastiche of psychological and social pathology. To begin with, there is Charlotte's education as a norteamericana: "She was immaculate of history, innocent of politics. There were startling vacuums in her store of common knowledge. During the two years she spent at Berkeley before she ran away to New York with an untenured instructor named Warren Bogart, she had read mainly the Brontës and Vogue, bought a loom, gone home to Hollister on weekends and slept a great deal during the week...

Author: /time Magazine | Title: Books: The Imagination of Disaster | 3/28/1977 | See Source »

Wolf has an advantage in the backstroke because last year's Olympic silver medalist in the 100 and 200-yard backstroke events, Berkeley's Peter Roccam will not be able to compete because of mononucleosis...

Author: By Sandy Cardin, | Title: Crimson Swimmers Still Floating in Ohio; NCAA Championships Underway This Weekend | 3/25/1977 | See Source »

...TAKES WORK--in italics--to produce such pictures. Germano left a Wall St. career to work only on photographing his native Berkeley, finally inventing a camera to take the pictures he envisioned. The instrument's ability to capture incredibly fine detail and texture has made it a necessary tool of the avant-garde cameraman, and its mastery a challenge he must meet. (All the pictures in this exhibit, except Rubinfien's, were taken with it.) Leaving, as Lifson says, "no place to hide," the superclarity of the camera's vision lends these pictures an uncanny surrealism. The trees in Wing...

Author: By Eleni Constantine, | Title: Shocking Pink Pines | 3/19/1977 | See Source »

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