Word: bergman
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Dates: during 1980-1989
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...clown-angel, Otto, terrified by Leonardo Da Vinci and forever mussing his unkempt hair, Edwall gives the performance of a career. Too often in Bergman's films has he been relegated to the position of sideline eccentric; here, as the holy fool, he takes center stage. Edwall seems to take unending delight at sticking his rear at the camera; it's the least of his magic tricks in a role that has him walking through glass walls, pirouetting on a bicycle, and taking rabbit punches from passing evil angels. The only problem is that Edwall's Otto forever upstages...
...censure; the lusciously enigmatic Mirror (1978) and Stalker (1979) sealed Tarkovsky's fate as a picturemaker on the way out. Within a few years, he was. He went to Italy to make Nostalghia (1983), about a Russian estranged from his homeland, and to Sweden for The Sacrifice with Ingmar Bergman Stalwarts Erland Josephson and Cinematographer Sven Nykvist. Tarkovsky now lives in Paris, ailing from cancer...
...concerned about the gentrification of Central Square," said Gerald Bergman, a 15-year Cambridge resident...
...Bergman criticized the plan because it only assures that the low-and moderate-income housing will remain below market price for 20 years...
...code and a wardrobe of backless satin dresses. Throughout her 20th book, the author honors the great Late Show tradition: in Dodsworth (1936) Walter Huston sighed to Ruth Chatterton, "Did I remember to tell you today that I adore you?" In Casablanca (1942), as the Nazis marched on Paris, Bergman asked Bogart, "Was that cannon fire or is it my heart pounding?" Driscoll tells her lover, "It could never be as beautiful as this again. I want to remember it just as it is now . . . in my mind . . . in my heart." The screenwriters had actors to give their bromides life...