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...Congress. These were not the bigwigs of industrial and academic laboratories. They were the humble rank & file of U. S. idea men, indefatigable purveyors of small ingenuities, perpetual optimists who swell the total of U. S. patents to some 50,000 a year. For example, Albert Giese of Benton Harbor, Mich., had heard a shocking story that 15,000 to 20,000 milkers are blinded every year by the restless tails of cows. His patented cow-tail restrainer was on display last week among 484 other inventions...

Author: /time Magazine | Title: Science: Gadgeteers Gather | 1/21/1935 | See Source »

...Benton, in his murals and easel paintings, earnestly and almost ferociously strives to record a contemporary history of the U. S. A short wiry man with an unruly crop of black hair, he lives with his beauteous Italian wife and one small son in a picture-cluttered downtown Manhattan flat. To critics who have complained that his murals were loud and disturbing. Artist Benton answers: "They represent the U. S. which is also loud and not 'in good taste.' " "I have not found," he explains, "the U. S. a standardized mortuary and consequently have no sympathy with that school...

Author: /time Magazine | Title: Art: U. S. Scene | 12/24/1934 | See Source »

...Thomas Benton has filled scores of note books with sketches of the U. S. scene which eventually find their way into his work. He boasts that all his burlesque queens, stevedores, Negroes, preachers, and college professors are actual persons. His vivid portraits of them are fast becoming collectors' items and the cost of Bentons has been steadily rising since the Navy put him on the right artistic track. Last week, Thomas Benton, who is usually jolly, had a special reason to be cheerful. He sold his oil, Cotton Town (see reproduction), to Marshall Field...

Author: /time Magazine | Title: Art: U. S. Scene | 12/24/1934 | See Source »

...Thomas Benton is the most virile of U. S. painters of the U. S. Scene the honor of being a pioneer in the movement belongs to Charles Ephraim Burchfield, 41. a tailor's son from Ash tabula Harbor, Ohio. In his childhood Burchfield found nothing so fascinating as tumble-down houses, freight trains, railroad tracks. Today most up-to-date museums have Burchfields.. Not so spectacular a draughtsman as Benton, Burchfield manages to invest his paintings with a calm if somewhat dismal dignity and an exceptionally acute feeling for light and space. He lives in an eight-room frame...

Author: /time Magazine | Title: Art: U. S. Scene | 12/24/1934 | See Source »

...chief philosopher and greatest teacher of representational U. S. art is Iowa's chubby, soft-spoken Grant Wood? Like Benton, Grant Wood studied in France, turned out his share of Blue Vase, Sorrento, House in Montmartre, Breton Market. But in 1929 he radically changed his style. From his palette issued a series of rolling, tree-dotted Iowa fields done in a flat, smooth manner. His landscape of West Branch, Iowa (FORTUNE, Aug. 1932) got the birthplace of Herbert Hoover almost as much public attention as the infrequent visits of that President. Wood's credo: U. S. art suffers from...

Author: /time Magazine | Title: Art: U. S. Scene | 12/24/1934 | See Source »

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