Word: bende
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There is little if any hope that euphemisms will ever be excised from mankind's endless struggle with words that, as T. S. Eliot lamented, bend, break and crack under pressure. For one thing, certain kinds of everyday euphemisms have proved their psychological necessity. The uncertain morale of an awkward teen-ager may be momentarily buoyed if he thinks of himself as being afflicted by facial "blemishes" rather than "pimples." The label "For motion discomfort" that airlines place on paper containers undoubtedly helps the squeamish passenger keep control of his stomach in bumpy weather better than if they were...
...undermine law enforcement and to bend regulations, purchasing procedures and legislation to a shape pleasing...
...first round in this esthetic debate belongs rightfully to Jacques-Louis David, whose painting is displayed in the exhibition alongside that of five of his pupils. An active revolutionary who later wielded tremendous power as official painter to Napoleon, a classicist able to bend Greco-Roman ideals to the service of French patriotism, David embodied the contradictions of the century. More important, his gruesomely vivid portrait of the assassinated revolutionist Jean-Paul Marat dying in a bathtub established him as the first artist to make painting relevant to real and immediate events destined for history. "The father of the entire...
...inscrutable face that a complex society presents to its young makes them vulnerable to simplistic explanations of it. To them, as to 19th century anarchists, individual man appears good and society appears corrupt. "I am a human being. Do not bend, fold or mutilate," was the slogan raised on the Berkeley campus in 1964 and repeated many times since. The computer, symbol of advancing technology, has resurrected all the old Luddite animosity toward the machine. The French student rioters of a year ago burned with the old anarchist passion against "society"-the passion that Marxism is designed to harness...
...deny that any utility, morality or heavy philosophical meaning should be attributed to his art. He dismisses such suggestions with the same scorn that he once made use of when a clubwoman asked him what butterflies were for. Nevertheless, certain deductions can be drawn from Nabokov's writing. In Bend Sinister, he composed a picture of crude, lumpish evil-in-power, and he put Yeats' much quoted "rough beast" into a Bolshevik or Nazi Bethlehem. Thus Prospero-Nabokov always knew Caliban, whether he was known as Hitler or Stalin or by some other name...