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Fourteen years ago when Robert Henri, John Sloan, George Bellows, founded the independents, there was scarcely a place in New York where artists who had broken with the academic tradition could show their work. Today modernist galleries blossom in all the side streets, the discovery of artistic talent has become...

Author: /time Magazine | Title: Art: Receptacle | 3/10/1930 | See Source »

Critic Cortissoz coolly and continually insists that excellent technique, often branded by other critics as mere facility or the superficial finesse resulting from laborious routine, is an absolutely essential basis for all fine art worthy of the name. He finds in the late George Bellows, famed for his dramatic depiction...

Author: /time Magazine | Title: Art: Sterile Modernism | 3/10/1930 | See Source »

In France the bagpipe was a favorite instrument in Marie Antoinette's day. Marie herself piped. Courtiers called it the musette and equipped it with hand bellows so that their pretty faces would not be empurpled by hard blowing. Respectability came to the musette when Schubert and Handel wrote pieces...

Author: /time Magazine | Title: Music: Banff Festival | 9/16/1929 | See Source »

Bogus lectures on anatomy are given by horn-spectacled Dr. Rockwell, who also plays a flageolet. The rest of the comedy has been long hallowed in burlesque halls-the mad bellows and sobs of Harry Welsh as a shouting waiter; the kicks which short, tough Joe Phillips aptly places on...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Jul. 29, 1929 | 7/29/1929 | See Source »

Robert Henri was not an elegant, sensational painter like the late John Singer Sargent, nor a trenchant controversialist like the late Joseph Pennell. Insurgent, he did not crusade. He taught instead. Born in Cincinnati of French-English-Irish descent, he studied at the Pennsylvania and Julien (Paris) Academies, at the...

Author: /time Magazine | Title: Art: Death of Henri | 7/22/1929 | See Source »

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