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Word: bellini (lookup in dictionary) (lookup stats)
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...many years past about the iniquity of the way Italian pictures particularly are being skinned alive by restorers." Other letters pointed out various masterpieces in London's National Gallery which may have ceased to be masterpieces through too much cleaning. Among them: pictures by Giovanni Bellini, Botticelli, Titian, Rembrandt, Velásquez, and even Leonardo's great Virgin of the Rocks. Leonardo's figures, wrote one angry correspondent, "are now bathed in a light only seen on the faces of the dead; or the neon lighting of a coffee...

Author: /time Magazine | Title: Art: The Fashion for Flaying | 8/20/1956 | See Source »

...Corner; there is the sheer Broadway frolicking of Big D, with its salute to Dallas; the gay lesson-in-English of Happy to Make Your Acquaintance; the Verdi-gurdy high spirits of Abbondanza and Sposalizio. But there is also the lyrical How Beautiful the Days, with its touch of Bellini-like sweetness, and the quick lilt of Young People (with its liltless follow-up line about the no-longer-young). Only in operatic passages that are datedly lush or flamboyantly melodramatic, or in the winegrower's inept vocalizings to his dead mother, does the generally vintage music turn...

Author: /time Magazine | Title: The Theater: New Musical in Manhattan, may 14, 1956 | 5/14/1956 | See Source »

...program was almost all Italian arias songs. The only composer of the German school represented was Mozart, and he by an Italian aria from The Marriage of Figaro. The most successful song was Bellini's Dolente Immagine, in which Tebaldi lingered over every vowel, almost caressing the notes with her voice. Another highlight was the magnificent Ave Maria from Verdi's Otello, which despite one shrill phrase was memorable for a ravishing final high note in mezza-voce. The audience went wild, and called Tebaldi back for three Puccini arias as encores. She didn't mind the tiring program...

Author: By Stephen Addiss, | Title: Renata Tebaldi | 2/3/1956 | See Source »

Michael Rennie carries conviction as the Franciscan, not least because he has, as dressed and tonsured, a close resemblance to the Bellini portrait of St. Francis. Best of all is Anthony Quinn, who wears the conquering swagger of Castile like one to that overbearing manner born...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 31, 1955 | 10/31/1955 | See Source »

...called The Three Ages of Man, from Florence's Pitti Gallery, has been attributed at various times to Lotto, Morto da Feltre, Pier Mario Pennacchi, Francesco Torbido, Giambellino, an anonymous Venetian, and Giorgione; five years ago, it hung at another Venice exhibition devoted to the works of Giovanni Bellini...

Author: /time Magazine | Title: Art: Confusion in Venice | 9/12/1955 | See Source »

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