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...Wilford G. Crane, a mere "10-watt amplifier bank clerk," once brilliantly undermined a wealthy "hifi bourgeois" with a gift of a single 78-r.p.m. disk. " 'It's Dajos Bela and Salon Orchestra, been looking for it for years. The way he plays these Hungarian Dances is beyond comparison. Finally found it on my last trip to Chicago. Some allowances you may have to make, but for 1933, don't you think the sound is spacious and resonant, eh?' Of course, Crane had actually found the disk in the attic . . . and had then rubbed dust...

Author: /time Magazine | Title: Music: Diskmanship | 12/27/1954 | See Source »

More meaty is the 40-minute Hello Out There, adapted from William Saroyan's play and composed by a newcomer, Jack Beeson, 32, a student of the late Bela Bartok. Trapped in a Texas county jail sits an easygoing gambler falsely charged with rape, and in danger of being lynched. Before he meets his end, he talks of love and freedom to the jail's cleaning girl and of bitterer truths to the hotheaded husband of the woman he supposedly wronged. The music too often slips out of focus, but at its best contains some genuinely affecting melody...

Author: /time Magazine | Title: Music: New Operas, U.S. Style | 6/7/1954 | See Source »

...nightmare school blew in on the same wind that unroofed the old Habsburg Empire: Kafka grew up in Habsburg Prague; Alban Berg, who wrote the gloomy Wozzeck, was a Viennese; Bela Bartok, whose Bluebeard's Castle almost makes a sympathetic character out of Bluebeard, was a Hungarian; even Luigi Dallapiccola, whose opera, The Prisoner (TIME, May 29, 1950), gives him front rank in the new school, grew up in Austrian Istria...

Author: /time Magazine | Title: Music: Nightmare at the Opera | 11/2/1953 | See Source »

Divorced. Bela Lugosi, 68, veteran Hollywood cinemonster (Dracula); by his third wife, Lillian Arch Lugosi, 41, on the ground that his "unfounded jealousy" constituted mental cruelty; after 20 years of marriage, one son; in Los Angeles...

Author: /time Magazine | Title: Milestones, Jul. 27, 1953 | 7/27/1953 | See Source »

...fellow students, Musicologist Slonimsky has catalogued his findings in a 30-page "Invecticon," listing the strongest and most piquant critical epithets alphabetically, with composers to whom they have been applied. Samples: advanced cat music (Wagner), belly-rumbling (Bela Bartok), bestial outcries (Alban Berg), bleary-eyed paresis (Tchaikovsky), chaos (Bartok, Berg, Berlioz, Brahms, Liszt, Mussorgsky, Prokofiev, Scriabin, Strauss, Wagner), intoxicated woodpecker (Edgar Varèse), lewd caterwauling (Wagner), mass-snoring (Bartok), nasty little noise (Debussy), spring fever in a zoo (Stravinsky...

Author: /time Magazine | Title: Music: Lexicon for Critics | 5/4/1953 | See Source »

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