Word: beethovan
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...halted by boos and whistles from a shocked Viennese audience. From then until his death almost twenty-five years ago, as Schoenberg once put it, "The scandal has never ceased." But though the general animosity continues, Schoenberg is recognized by his fellow musicians as the rightful heir to the Beethovan-Brahms tradition and the most influential composer of this century...
...Beethovan Mass in C, Op. 86, Joel Lazar's Cantabrigia Orchestra joined the chorus to give a performance which had moments of both inordinate inspiration and egregious sloppiness. Coordination between the two forces was haphazard, this due to Schmidt's sacrificing clarity of beat in favor of a continuous, feverish intensity of motion. He huffed and he puffed, he grimaced with grief, he smiled with beatific joy. Sometimes he succeeded (usually in fortissimo passages), but most often he was unable to convey any unified conception of this difficult and eccentric master-piece. Of the four vocal solists, Barbara Wallace...
...German Department and for the benefit of the Germanic Museum. On a balmy June night 15,000 people filled the Classic Horseshoe to watch Miss Adams and a supporting cast of 1,500 calvarymen, soldiers and archers parade across the Battlefield of France, while a hidden orchestra played Beethovan's "Eroica' Symphony...
...around band in the country. And at a great many things, it shades Dorsey. I can remember very few times when I got as big a kick from just the way a band played its music as I did from such things as Lunceford's rendition of the Beethovan Sonata Pathetique. The band puts on a terrific show, plays an easy bounce style of dance music, and has excellent soloists. Jimmy Young (trombone) ranks in the top three. Paul Webster (trumpet) is recognized as the highest in the business. Willie Smith and Joe Thomas can play sax for anybody...
...Koussevitzky Americans see a musician brought up upon Mozart, Beethovan, Wagner, Chopin, who ought, to their way of thinking, oppose jazz music in mortal combat. With Americans it is the rule that only those to whom the wall of saxophones, the blare of trombones, and the clash of brass are indigenous, can see in jazz anything but degenerate sensuality. Not so Koussevitzky. Without forsaking the classics, he calls jazz "good music". So pronounced became his modern tendencies that Moscow thought him too radical, and he left Russia. But he went, not to Paris, where he was indeed invited...
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