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...Paris came Ernest Schelling, Jose Iturbi, Ignace Jan Paderewski; on the Columbus, Walter Gieseking; on the Mauretania, Alexander Brailowsky. Good also for grapes, apples and upland game birds, this year will be a pianists' year in the U. S. Already scheduled for recitals are Josef Hofmann, Harold Bauer, Ossip Gabrilowitsch. Italian Carlo Zecchi will make his U. S. debut in January. But the three men sure to attract greatest attention, sure to be the most newsworthy, are Paderewski, Iturbi, Gieseking...

Author: /time Magazine | Title: Music: Year for Pianists | 10/20/1930 | See Source »

...Rochus von Rheinbaben, Walter Bauer...

Author: /time Magazine | Title: GERMANY: Staatspartei | 8/11/1930 | See Source »

...these two groups is a third which is relatively immune from box office inflation or deflation. Of this an outstanding example is Efrem Zimbalist* who, while not drawing the Kreisler crowds, is considered an almost perfect violinist. Others for whose talents there is a steady demand are Pianists Harold Bauer, Alfred Cortot, Ossip Gabrilowitsch, 'Cellist Pablo Casals, Guitarist Andres Segovia, Violinist Albert Spalding...

Author: /time Magazine | Title: Music: Market | 2/17/1930 | See Source »

...gestures. Thus it was contrary to precedent last week when, before a Manhattan audience of some 3,000, Soprano Lucrezia Bori permitted herself to be hoisted up on a piano by Pianist Ernest Schelling and to sit, swinging her pretty legs, singing Spanish songs. Pianists José Iturbi, Harold Bauer, Josef Lhevinne, Ernest Hutcheson, Harold Samuel, John Erskine, Rudolph Ganz and Olga Samaroff formed a three-team relay for a Bach concerto. A whimsical Sinfonia Domestica, 1929, conducted by John Philip Sousa, had Pianists Bauer and Schelling pushing lawnmowers while others of equal renown played on typewriters...

Author: /time Magazine | Title: Music: Gambol | 1/13/1930 | See Source »

...scene was dignified Carnegie Hall, the stage set like a hotel lobby with potted palms, upholstered lounges. Scattered and chatting about were some 20 of the world's greatest musicians. Conductor Walter Damrosch snoozed comfortably in an armchair until Pianist Bauer wakened him to supervise the Bach relay. Thus began an exciting evening of which the climax was the introduction of the so-called Gooschepeix Foolyphone,* an ominous engine-like instrument with coils, levers and pipes. Painstakingly oiled by celebrities in overalls, the contraption exploded after a few dismal howlings and was hung with an "Out of Order" sign...

Author: /time Magazine | Title: Music: Gambol | 1/13/1930 | See Source »

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