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...Haiti such threats, however vague, are not to be taken lightly -- especially with the human-rights monitors gone. As the U.N. monitors were being expelled, the bodies of as many as a dozen young men -- the government claimed only three -- were dumped in the little village of Morne-a-Bateau. Local residents said they had been ordered to bury the bodies by soldiers who brought them in from somewhere else...

Author: /time Magazine | Title: Haiti: Threat and Defiance | 7/25/1994 | See Source »

Living in the hatchery of cubism, the expatriates' studio in Paris' Rue Ravignan, known as the Bateau Lavoir, Gris was not in at the beginning. He started as a cartoonist and illustrator, and did not even start to paint until 1910. His first cubist pictures belong to 1912, five years (a long time in the avantgarde) after Picasso painted his seminal and outrageous Demoiselles d'Avignon, the five women bathers with bodies of planes and angles. Gris' importance to modern art rests on about ten years of productivity. His work weakened into phlegmatic...

Author: /time Magazine | Title: World of Fantasy and Analysis | 11/7/1983 | See Source »

...World War I. It left behind a residue, however: his virtuosity. Around 1918 he found his first public, a small enough group compared with the worldwide fame he would be juggling by 1939, but much larger and more influential than the poets and painters around the studios of the Bateau-Lavoir. It was a public of admiring consumers, the cultivated gratin of Europe, people who needed a modern Rubens. Moreover, there had been a general recoil from extreme avant-garde art, on principle, after 1918. What seemed necessary was reconstruction, not more iconoclasm, or, in the words of Jean Cocteau...

Author: /time Magazine | Title: The Show of Shows | 5/26/1980 | See Source »

Many of the older passengers, however, seemed to enjoy the occasional flashes of vivacity on board. Pretty Patty Sines of West Virginia, in her mid-20s and traveling alone, quickly became the belle of the bateau, bouncing around barefooted and in hot pants by day and in clinging dresses at night. She so contrasted with the other passengers that one American matron inquired: "Tell me, dear, did the French Line pay your way on board to liven things...

Author: /time Magazine | Title: Modern Living: The Ancient Mariners | 2/14/1972 | See Source »

Financially this moment was the nadir of Picasso's life. He was living in the Bateau Lavoir, a studio building in Rue Ravignan. "No one," Kahnweiler recalls, "could ever imagine the poverty, the deplorable misery of those studios. The wallpaper hung in tatters from the unplastered walls. There was dust on the drawings and rolled-up canvases on the caved-in couch. Beside the stove was a kind of mountain of piled-up lava, which was ashes. It was unspeakable...

Author: /time Magazine | Title: Art: Anatomy of a Minotaur | 11/1/1971 | See Source »

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