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...Denver, not just use its podium as a springboard. Conductor Caston built up his orchestra to 76 pieces on the same principles-ears cocked for musical ability, eyes peeled for settlers. The result is "a happy orchestra," with most of the musicians under 30. Among them: a Negro bass viol player and a Nisei violinist...

Author: /time Magazine | Title: Music: Denver's Happy Orchestra | 10/29/1951 | See Source »

...remember. We've had only two rehearsals, and on the second one we did nothing but sit around and talk." With a feather-fingered young guitarist named Tal Farlow, who after two years plays as if he is reading Red's mind, and a bass player (Clyde Lombardy) who is always there with the beat, everything they touched sounded like softly accented conversation on a bench in the park...

Author: /time Magazine | Title: Music: The New Thrill | 10/22/1951 | See Source »

Since his Whiteman days, Red (real name: Kenneth Norville) has done time on the woodpile, vibes and marimba in bands ranging from 20-piece earsplitters down to sextets. Trio work is something fairly new, and Red finds it "all headwork-the bass has to cover for a drummer, the guitar for clarinet or trumpet, the vibes for piano." Headwork or handwork, old Red was the uptown...

Author: /time Magazine | Title: Music: The New Thrill | 10/22/1951 | See Source »

Mozart: The Magic Flute (Wilma Lipp and Irmgard Seefried, sopranos; Anton Dermota, tenor; Erich Kunz, baritone; Ludwig Weber, bass; chorus of the Society of Friends of Music, the Vienna Philharmonic Orchestra, Herbert von Karajan conducting; Columbia, 6 sides LP). The kind of crack performance, with its own unique Gemütlichkeit, that makes music lovers trek to Salzburg every summer. A new Marriage of Figaro, with the same orchestra and conductor and some of the same cast, offers more of the same happy spirit. Both recordings: excellent...

Author: /time Magazine | Title: Music: New Records, Oct. 22, 1951 | 10/22/1951 | See Source »

Strauss: Der Rosenkavalier (Margarete Bäumer and Ursula Richter, sopranos; Tiana Lemnitz, mezzo-soprano; Kurt Böhme, bass; chorus of the Dresden State Opera, the Saxonian State Orchestra, Rudolf Kempe conducting; Urania Records, sides LP). Soprano Bäumer (The Marschallin) has an unpleasant tremolo and Böhme (Ochs) is too growly and guttural; otherwise a middling-good performance. Recording: good...

Author: /time Magazine | Title: Music: New Records, Oct. 22, 1951 | 10/22/1951 | See Source »

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