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...marches in, Mick Waller at the drums, Jeff Beck prophetically brandishing his guitar. The singer Rod Stewart in burnt sienna flush velours pants that fit tight, an ornate silver cross hanging from his neck, has slender features and a bouffant hair-do and an impish grin. Ron Wood, on bass guitar, stakes out his area and the music flares like a newly struck match. Stewart sings "Rock me baby/Keep-on-rocking-me-baby/ Rock me all night long." Then slowly the lead guitar begins to mold the frantic throbbing sound and it becomes clear that Jeff Beck, ex-Yardbirds, ex-performer for Antonioni...

Author: By Salahuddin I. Imam, | Title: The Jeff Beck Group | 7/5/1968 | See Source »

...Blow-Up'. Beck looks at Waller taking up the challenge and they invent a melody to be called from now on 'Train'. The sound of the tracks on wheels, the howl of the whistle, the engine, and the train and its heavy coaches...all on guitar, drums and bass. The drums go quiet, the train chugs to a start. Beck blares once, twice, thrice, Waller plays on his tom-toms and then the roar of the engine, gears clashing, wheels performing, the miles flying, The Boston Tea Party light squad flashes a picture of a locomotive on the main wall...

Author: By Salahuddin I. Imam, | Title: The Jeff Beck Group | 7/5/1968 | See Source »

...musical prestige as well as pitch, it is hard to get any lower on the scale than the double bass. Rumbling and ungainly, it is the bullfrog of the orchestral lily pond-laughed at by laymen, slighted by composers, and even cursed by its own players, who call it a "monster" or a "baroque doghouse." Once, after Conductor Serge Koussevitzky gave his Boston Symphony players a dazzling demonstration of bass playing, one of them said he was so good that "he sounded like a lousy cellist." At the time, Koussevitzky was one of three men in the 250-year history...

Author: /time Magazine | Title: Instrumentalists: A Singing Bass: | 7/5/1968 | See Source »

Last week, at Manhattan's Town Hall, Schickele presented his latest and most adventurous departure-a chamber-rock-jazz trio called The Open Window, made up of Schickele and Fellow Composers Robert Dennis and Stanley Walden. The group sang and played such instruments as electric piano, organ, bass clarinet and tambourine in a quirky kaleidoscope of their own songs (sample title: 4 a.m. June; The Sky Was Green). The result was a little like spinning a radio dial rapidly over stations that are broadcasting Glenn Gould, Oscar Peterson and the Beatles: fascinating but somewhat dizzying. Though...

Author: /time Magazine | Title: Composers: Spike for Highbrows | 5/31/1968 | See Source »

...fact that Connie, the vocalist, who is also a girl, had the shortest hair of all, became the subject of nary a wry comment. Perceptive listeners also noted that she sang bass during the harmony while the males took over the higher octaves in falsetto. Rhythm guitar was played by a giant of a man with an Apostle's beard, hollow eyes, and a swollen voice. His guitar, slung low and hanging horizontal at fly level gave soul to his songs...

Author: By Stephen D. Lerner, | Title: Pennies for Peace | 5/27/1968 | See Source »

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