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Much of the music (Bruce Odland) brings this play ominously into the present: during the set changes, a deep bass beat reminiscent of rap and house rhythms pumps through the theatre, bringing to mind those pounding cars which thump through the city streets and disturb the peace of those who prefer their quiet space...

Author: By William TATE Dougherty, | Title: ART Americanizes Henry IV, With Variable Success | 12/9/1993 | See Source »

...Sanders show, Phish bassist Mike Gordon sat in the front row. Gordon is not so emotive. Still, after a scorching banjo solo by Bela that bled into a ten-minute solo by Victor (who was just named Bass Player Magazine's bassist of the year) involving, in turn, a four-string bass, a five-string bass, a six-string bass, and two four-string basses played simultaneously, Gordon was standing up grinning broadly and applauding with the rest of the audience...

Author: By Seth Mnookin, | Title: Bela Fleck: `Pleasing, interesting sounds' | 12/9/1993 | See Source »

...There's much less competition. We'll play hard and strong but its together. I miss the lyric stuff; we have a tendency to do more stuff with faster notes, or it's harder to play a beautiful melody on a banjo or a bass than it is on a piano or a vocal-type instrument like a saxaphone or a harmonica or a voice or a violin, so the music does get faster and more rhythmic...

Author: By Seth Mnookin, | Title: Bela Fleck: `Pleasing, interesting sounds' | 12/9/1993 | See Source »

Funk, from that FUNky B.O. growing in your pits, from the stink between the sheets, with the bass bustin' out and the grooves hangin', ever-e-thang 'cept opera & polka, the visible line from Zapp to Zappa, gee-tars 'n' horns 'n' cong-Os and voices voices singin 'n' screamin 'n' chanting 'n' shouting...

Author: By Seth Mnookin, | Title: Make It Funky | 12/9/1993 | See Source »

...find them hits on the "easy listening" station. Their relative safety in conforming to mainstream pop ballad expectations contrasts with "When Love Comes to the Rescue" and "Lover's Holiday." These two songs blend synthesizers, acoustic piano and heavily syncopated rhythms into a silky tropical sound. Deep piano bass notes and Adams' voice soar together irresistably...

Author: By Irit Kleiman, | Title: Survival of The Soulful | 12/2/1993 | See Source »

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