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...matter how distracted you felt or wanted to feel, by opening up your senses to the noise, Unwound's underlying musical messages were easier to uncover. The difficulty was wading through the distortion and seemingly incongruous combination of vocals, bass, guitar and drums. But the triumph, and possibly Unwound's greatest ability, was the band's adroitness in crafting a latent coherence to most songs. Unwound makes its listeners work to appreciate the music...

Author: By Peter A. Hahn, CRIMSON STAFF WRITER | Title: Sonic Smorgasbord for the Self-Absorbed | 3/20/1998 | See Source »

Penetrating the unorthodox confluence of sounds was daunting. Instruments sounded as if they were playing on different levels separate from accompanying players. Lund was sure to keep the beat but the rhythm often seemed to disagree with Trosper and Rumsey. Similarly, bass and guitar often battled for who could be more discernibly out of step with the other. Despite the randomness, Unwound never failed in molding distinct, assimilable songs from the musical mess...

Author: By Peter A. Hahn, CRIMSON STAFF WRITER | Title: Sonic Smorgasbord for the Self-Absorbed | 3/20/1998 | See Source »

...newest soul-rockers are women. Rachid's compelling debut, Prototype (Universal), due out later this year, draws on soul, drum and bass, and even throws in a little bit of punk rock. No doubt he too will initially have some radio programmers scratching their heads as they try to figure out where he fits in. The answer: Great music fits in anywhere...

Author: /time Magazine | Title: Music: Down In The Groove | 3/16/1998 | See Source »

Many of these moments emerged in their first piece, Haydn's Quartet in D Major, Opus 20. The second movement, Un poco adagio affectuoso brought a confluence of musical constraint and emotional effervescence. In giving the upper melody to the cello, the bass line to the viola and a flirtation of rising and falling scale passages to the first and second violins, Haydn's piece created a mood that the quartet conveyed as sad, thoughtful and full of wonder. While the fourth movement, Presto e scherzando presented a direct contrast--with its expulsions of happiness in the form of harmonic...

Author: NO WRITER ATTRIBUTED | Title: The Guarneri String Quartet: After 34 Years, They're Nearly Perfect | 3/13/1998 | See Source »

...work, Haden continues to play and innovate, and is widely considered one of the top acoustic bassists in jazz today. Though the Montreal Tapes, with their relatively standard arrangements, do not push the envelope of jazz like Haden's most novel work, they display his solid and adaptable bass style in abundance...

Author: NO WRITER ATTRIBUTED | Title: Vivid Virtuosity: Jazzing It Up With Rubalcaba | 3/13/1998 | See Source »

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