Search Details

Word: basse (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...album begins in horror-like style with "Anthropod." This track begins with an interesting array of soft, slow drums, a soothing bass line and quiet samples. The song then releases a sudden onslaught of unconventional guitar riffs and loud synthesized noises, ranging from a ticking clock to the sound of dragging chains. This sudden outburst from apparent tranquility is incredibly frightening, particularly when listened to in a dark room in the wee hours of the morning. The initial effect of this outburst is powerful, as the overwhelming and deceivingly random sounds immediately pump the body with surging adrenaline, much like...

Author: By Chris Blazejewski, CONTRIBUTING WRITER | Title: Eddie Doesn't Get Lucky: Hovercraft Crashes | 10/30/1998 | See Source »

...soul brother," which Fatboy links directly into the opening measures. "The Rockafeller Skank" was released as a single in March, and served as the catalyst of the artist's recent mainstream popularity. The addictive Lord Finesse vocal sample and the twangy surf guitar augment the elastic beat and funky bass line to make it one of the best dance songs of the year. This track is Fatboy Slim at his best, as he manages to create a continuity of euphony that is unpredictable, despite its revolution around a single vocal sample. Fatboy builds up and breaks down the beat tempo...

Author: By Chris R. Blazeiewski, CONTRIBUTING WRITER | Title: Right About Now, Phat Pickings | 10/30/1998 | See Source »

...album, relyingheavily on vocal distortion and cyber sounds. Asample that sounds like a whining robot babyunites the menagerie of synthetic noises. The onlyrecognizable lyrics are the repeatedtongue-in-cheek phrase "Kalifornia is drugee,drugee." The album then takes a major U-turn in"Praise You," sporting a funky bass line, a pianoaccompaniment that sounds like it was written byBilly Joel and emotional soul vocals. Fatboy Slimkeeps the beats pumping with "Love Island," thebest and most Euro dance track, which would surgeany dance club with crowd adrenaline...

Author: By Chris R. Blazeiewski, CONTRIBUTING WRITER | Title: Right About Now, Phat Pickings | 10/30/1998 | See Source »

R.E.M.'s 11th CD in 18 years opens with a mysterious blend of overlapped keyboards with a low, pulsating bass in "Airportman," giving the album its mellow feel right off the bat. The overbearing power chords grizzly feedback and odd dissonance are gone, and the listener is left with more R.E.M. tunes to put on his "R.E.M.'s Greatest Hits" tape. "Daysleeper" exhibits commercial potential, but the music scene has changed so much that "Daysleeper" may be deemed just another good R.E.M. song by the listening public, rather than a big hit like it would've been...

Author: By Benjamin L. Kornell, CONTRIBUTING WRITER | Title: Up and Away: R.E.M. Walks On | 10/30/1998 | See Source »

...would be misleading to say that R.E.M. has simply reverted to Automatic For The People. The band continues to have some of the eerieness found in Hi-Fi, with echoes and added effects sprinkled into the background and a low, raw bass at times. Up seems to take a lot of the positives from New Adventures in Hi-Fi and combines them with traditional R.E.M. The absence of Berry, who left as the result of a brain aneurysm during the Monster Tour, translates itself into an exotic mixture of spacey beats on several tracks. Screaming Trees drummer Barret Martin...

Author: By Benjamin L. Kornell, CONTRIBUTING WRITER | Title: Up and Away: R.E.M. Walks On | 10/30/1998 | See Source »

First | Previous | 245 | 246 | 247 | 248 | 249 | 250 | 251 | 252 | 253 | 254 | 255 | 256 | 257 | 258 | 259 | 260 | 261 | 262 | 263 | 264 | 265 | Next | Last