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...Donnerwetter!" The son of a physician in the small market town of Wedel, Holstein, young Barlach early learned to respect the mute suffering of the peasant as well as his unexpected guffaws of humor -both of which he later incorporated into his work. But it was not until his mid 30s that he found himself as an artist, after years of academic art courses at Hamburg and Dresden, followed by an unproductive trip to Paris...

Author: /time Magazine | Title: Art: Modern Gothic | 4/2/1956 | See Source »

...events finally gave direction to Barlach's groping. In Florence he sat at the feet of Poet Theodor Daubler, whose rhapsodic verse, mystically urging man to free his spirit from the pull of Earth, appealed to Barlach's own yearnings. Even more important was a two-month trip to southern Russia, where Barlach, on first sighting the sturdy peasant figures against the limitless perspective, exclaimed: "Donnerwetter! There sit bronzes...

Author: /time Magazine | Title: Art: Modern Gothic | 4/2/1956 | See Source »

...Vanguard. To Barlach the peasants became "symbols of the human situation between Earth and Heaven." In giving the symbols form, Barlach again turned his back on Paris, chose instead to model his peasants in terms of their own traditional wood-carved figures and the Gothic sculpture of his native town. The result, far from seeming a throwback to a bygone style, rapidly placed Barlach in the vanguard of German expressionists...

Author: /time Magazine | Title: Art: Modern Gothic | 4/2/1956 | See Source »

...Barlach summed up his disgust with the first World War with his famed Avenger, whose headlong, sword-slashing figure was later to arouse Adolf Hitler's wrath. For a group of 16 figures commissioned for the Gothic niches of Liibeck...

Author: /time Magazine | Title: Art: Modern Gothic | 4/2/1956 | See Source »

Catherine's Church, Barlach sculpted The Crippled Beggar, face raised as he rests on crutches, feet barely touching the ground, in a gesture that echoes back to the works of Brueghel. Singing Man shows Barlach at his most joyous. The figure, despite the ecclesiastical appearance of his garb, could as well be yodeling as singing God's praise...

Author: /time Magazine | Title: Art: Modern Gothic | 4/2/1956 | See Source »

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