Word: barely
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Dates: during 1980-1989
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...older paintings. Las Mayas, 1958, is a very loose translation of a Goya, turned upside down. Winter Hunt, 1958, in which a fox with pricked ears and pointed muzzle makes a now-you-see-me-now-you-don't appearance among swipes of black and reddish-brown on the bare canvas ground, seems to reflect Winslow Homer's The Fox Hunt. Among the later paintings are versions of a Titian portrait, of a Flight into Egypt by Jacopo Bassano, and of a Manet still life: For E.M., 1981, in which the colors and placing of fish, copper pot and black...
...before and after the revolution: finely tuned planar constructions in a pale, deep space. Lately, in a way that parallels Malevich's return to peasant themes in the 1920s, Stenberg has deepened his color and turned to images of a remote village where he spends part of his time: bare roads, cottages, grave markers, religious symbols like the fish and the Cross, all emblems of an ancient Russia that continues to exist below ideology...
...young man speaks rapidly, but every syllable reverberates. More than 30 other men and women seated in a large, drab room at a Moscow community center listen quietly. Over the next hour and a half, most of them, giving only their first names, will stand under the bare fluorescent lighting and make the same confession. It is a painful admission to make anywhere, but especially in the Soviet Union, where drinking is legendary and individual accountability has decayed. This is the daily meeting of Moscow Beginners, the first antidrinking group for Soviet citizens that is registered with Alcoholics Anonymous...
...open to reveal a burst of light) are recognizable even to Westerners as derived from the 1960s work of such still active directors as Yuri Lyubimov and Oleg Efremov, who today runs the venerable Moscow Art Theater. The one true innovation of recent years, nudity, has become similarly cliched: bare breasts or bottoms, and even crotches, are on view in at least five Moscow theaters, never as an essential to the plot...
Nora is one of Bergman's few stage scripts, and this one rewrites Henrik Ibsen's A Doll's House, reducing it to its bare essentials. This weekend's drama explores how people behave in the face of evil and misfortune, yet it also allows such villains as Krogstad to appear more appealing than in the original version. Nora promises to provide an intense evening of entertainment; there is no intermission in this production. Bergman's play, directed by junior Heather Cross, runs this weekend only at the Loeb Experimental Theater...