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...brought to this some well-written scenes and his usual technical dexterity. But even considering how amusing the play can be, and eloquent and skillful, and how well George Roy Hill has directed and Barbara Baxley, James Daly and Robert Webber have acted it, a good deal seems somehow unsatisfying. There is, in the end, too much sense of mere surface, of flare-ups with more theater in them than truth, of Freud pinch-hitting for flesh and blood, of amusing little leitmotivs in place of incisive motivations. There is not much organic development, and at times scenes dribble...

Author: /time Magazine | Title: The Theater: New Play on Broadway, Nov. 21, 1960 | 11/21/1960 | See Source »

...sale will serve two purposes, according to Barbara LaMont, Chief of Gifts and Exchange of the College Library. It enables Lamont to dispose of duplicate copies from gifts and donations and also to provide the students with an inexpensive way to buy valuable books...

Author: NO WRITER ATTRIBUTED | Title: LAMONT BOOK SALE | 11/15/1960 | See Source »

...must content myself with mentioning the Stage Manager of Mark J. Mirsky '61 (who therein displayed enormous progress in acting, an impression confirmed by his expertly elocuted Thersites in the recent Troilus and Cressida), the Mrs. Gibbs of De French, the Mrs. Webb of Dixie Dewitt, the Emily of Barbara Blanchard '60, and the George of Philip D. Harvey '62. This was definitely the finest HDC show since Death of a Salesman in 1956, and the finest show by any Harvard group since Deathwatch...

Author: By Caldwell Titcomb, | Title: Harvard Theatre Has Busiest Year Yet | 11/12/1960 | See Source »

Prospectus for Bankruptcy. Rushing forward in a field where Angel et al. were treading lightly (the survival rate of new record companies is less than 1%), Marianne and Barbara compiled a catalogue of releases that, to most merchandisers, read like a prospectus for bankruptcy-W. H. Auden declaiming Auden, Sir Ralph Richardson pacing gravely along Swann's Way, Faulkner grappling with his own syntax, an ailing Colette reading from her novels while the bed sheets rustled...

Author: /time Magazine | Title: RECORDS: Closing the Poetry Gap | 11/7/1960 | See Source »

...Streak of Business. Nowadays, Marianne (married to a Manhattan public-relations consultant, Harold Mantel!) and Barbara (married to a Baltimore hydraulic engineer, Lawrence Holdridge) visit their cluttered Manhattan office only a couple of times a week to supervise some 100 pending releases. For their Shakespeare project, Partner Mantell went to London last summer to round up talent, much of it from the Old Vic and other repertory companies. Their curtain raiser is a moving and brilliant Macbeth, starring Anthony Quayle and Gwen Ffrangcon-Davies. The two-hour, two-record production was followed by Othello, with Cyril Cusack and Frank Silvera...

Author: /time Magazine | Title: RECORDS: Closing the Poetry Gap | 11/7/1960 | See Source »

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