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...Russian players that every act is as fresh now as it was on their arrival in New York; even the "Parade of the Wooden Soldiers", which has been played to death by dance orchestras everywhere, seems new and different when accompanying the clockwork manoeuvers of the pipe-clayed actors. Balieff, of course, is inimitable; no one could rob his "apparition on the stage", as he says, of one whit of its originality or its unique humor. One is reconciled to the end of each scene only by the knowledge that this master comedian will reappear for one of his nonpareil...

Author: By A. C. B., | Title: THE CRIMSON PLAYGOER | 10/3/1923 | See Source »

...attempt, however, to describe the sixteen parts of the program must be too brief to do them justice, but mention of the most striking is absolutely necessary to the peace of mind of the critic. "La Grande Opera Italiana", previously noted in connection with M. Balieff, "Chastoushki", and "The Chorus of the Brothers Zaitzeff", are the most hilarious of the musical numbers, while "A Night at Yard's", and "Ei Ukhnem" are unforgettably dramatic in their relation of Siavic feeling and character. An Anglo Saxon feels as embarrassed listening to the almost barbaric gypsy songs as if he were impersonating...

Author: By A. C. B., | Title: THE CRIMSON PLAYGOER | 10/3/1923 | See Source »

Chauve Souris. With the rest of fashionable America, Nitka Balieff and his Kussian troupe departed last Spring for a Parisian Summer. There they entertained Americans homesick for Broadway, Russians wearying for Petrograd, French wearying of their tawdry native entertainments. In the course of the trip Balieff forgot a bit more of his Russian, his English improved, his comedy became a trifle more intelligible...

Author: /time Magazine | Title: Theatre: New Plays: Sep. 17, 1923 | 9/17/1923 | See Source »

Will the Argentine Supplant Balieff and King Tut in Popular Favor? It is a subconscious maxim with Mr. Lee Shubert, Mr. George White and Mr. Florenz Ziegfeld that " - the things you will learn from the yellow an' brown They'll 'elp you a lot with the white." They seek glittering material for their revues from the life of other worlds. Their stages became hothouses where strange exotic plants, emerald, gold and scarlet, are bought across the seas for a brief blossoming. For 20 years American producing gardeners have been transplanting color, sound and movement - so great...

Author: /time Magazine | Title: The Theatre: What's Next? | 8/27/1923 | See Source »

...strong reaction has set in among Parisian critics against the Russian fad (Balieff, Diaghileff, Rostov and a score of imitators...

Author: /time Magazine | Title: Theatre Notes, Jul. 23, 1923 | 7/23/1923 | See Source »

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