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...child." But the Roman Catholic Church, to which the Applebys adhere, and the rhythm method, to whose uncertain discipline they reluctantly submit, allow no such latitude. Their first child arrived nine months after the wedding, followed, at similar intervals, by two more. And now, dabbing queasily at the breakfast bacon, Adam's wife congeals his spirit with the announcement that they may have lost another round of Vatican Roulette...

Author: /time Magazine | Title: Books: The Antic Vein | 1/6/1967 | See Source »

...Good heavens! From where do you suppose came Matisse's grand sense of structure, the color and style of Gorky's early compositions, Moore's inflated, floating female forms, De Kooning's voluptuous women, and Bacon's double-faced images? The past 50 years of art are utterly unthinkable without Picasso's influence [Dec. 2], and I mean after 1914 as well as before. His work may still evoke "anger and adulation," but to say that "modern art would have existed with or without Picasso" is really going...

Author: /time Magazine | Title: Letters: Dec. 16, 1966 | 12/16/1966 | See Source »

...Jacqueline Kennedy, Ilka Chase and Pauline Trigere), currently recommends beef Wellington along with Indonesian pork sate, but varies her suggestions with more unusual dishes, such as Peruvian seviche (cold raw bay scallops marinated in the juice of limes, lemons and oranges) and Arabian chicken, roasted with cloves, honey and bacon...

Author: /time Magazine | Title: Food: Everyone's in the Kitchen | 11/25/1966 | See Source »

What fascinates Bacon is the perfect portrait of human tragedy. He resurrects the image of man halfway between life and death like some mad coroner who frames the clotted residue of life. "We exist this short moment between birth and death," he says. "You are more conscious of sunlight when you see the darkness of the shadows. There is life and there is death, like sunlight and shadow. This must heighten the excitement of life. And then it heightens the horror...

Author: /time Magazine | Title: Art: The Coroner's Report | 11/18/1966 | See Source »

Through a One-Way Window. Some critics have said Bacon only paints his own despair. "I'm a drifter," admits Bacon, who confesses to living in a hazy homosexual underworld. But, he continues, "I have seen the despair of so many people, whether they are young or old, and it doesn't appear to be much different whether they are homosexual or heterosexual. It's possible that loneliness haunts homosexual people more, especially toward old age." If so, Bacon, now 57, bends his despair to the manner...

Author: /time Magazine | Title: Art: The Coroner's Report | 11/18/1966 | See Source »

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