Word: backgrounds
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Dates: during 2000-2009
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...featuring sparse notes above middle C, screeching vocals, and slow tempo. “The Light That Failed” possesses progressively louder synthesizer screeches, distorted whispers, and a lack of any true melody, chorus, or lyrics; a repetitive guitar riff, rooted in minor chords, plays over a background sound that calls to mind water dripping from a faucet. Though this subtracts from the track’s overall musicality, these dark motifs balance the upbeat songs which come later, making the album more effective overall...
When Earhart and her future husband George Putnam (Richard Gere) walk to the train station together after meeting for the first time, a trio of rowdy soldiers joking in the background goes a long way in placing the timeless sentimentality of such a encounter in 1927. Wherever Earhart stops for fuel, the camera lingers in close-up on the children who greet her. Her feats inspired a nation in a way that modern figures rarely can, and the children she meets—including a young Gore Vidal—function as silent narrators of her story...
...chaos of the novel serves as a background for Lind’s omnipresent existentialism. Because in the world of “Ergo” everything is permitted, Lind takes the liberty of mentioning the concept everywhere. From the most quotidian of conversations to the Leo’s deitific chants, the characters communicate via existential tropes from modern literature whose clearest source is Samuel Beckett...
...happen. A more exciting collaboration may indeed still lie ahead, but it won’t be found here. “Declaration of Dependence” is not a bad album; its only offense is just how totally inoffensive it is. The album works as background music for calm browsing in a used bookstore, or light accompaniment to late-night conversation with a friend, but it fails to stand up to any sustained listening, When the post-reunion glow wears off, Kings of Convenience will need either more hooks or more complex ways to communicate the emotional intensity their...
...There’s this perception that having a successful career in theater is an extremely difficult thing to do, maybe even impossible,” Stone said. Echoing the sentiments of the panelists about the difficulties and possibilities of creating a career in theater from an HRDC background, Stone reiterated the importance of contacting alumni. “But from all the alumni that I’ve corresponded with, I’ve seen that a Harvard education 110 percent prepares you for that. It’s just that we aren’t so good...