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Word: background (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...listen to the music of a dead man, especially because on this album, he sounds so alive, just like he almost did when he was alive. He could be standing right next to you. Same crooning voice, sincerely telling you to "do drugs"--which you hear in the background if you play the cut "When You Trim Your Christmas Tree" super loud and with the bass turned down...

Author: By Eric B. Fried and Susie Spring, S | Title: Hark! the Herald Cashiers Ring | 12/5/1979 | See Source »

...might, you can't focus on that incredible voice enough to drown out the little twinkling bells in the background, the familiar diddly-shit Christmas muzak heard in stores everywhere as the subliminal message underneath chants...

Author: By Eric B. Fried and Susie Spring, S | Title: Hark! the Herald Cashiers Ring | 12/5/1979 | See Source »

...have to listen carefully to get the Jesus symbolism, but it's there. "Ave Maria" is a highly veiled reference to Mary. "The Day That Love Began" refers to a manger in Bethlehem that sounds suspiciously like the one Jesus rented for his debut. And there are angels doing background vocals like so many divine Pips. Wonder's own cuts at the beginning and end are good. The rest of the album sucks...

Author: By Eric B. Fried and Susie Spring, S | Title: Hark! the Herald Cashiers Ring | 12/5/1979 | See Source »

...still must prove he is more popular in his party than the other Reagan challengers and then must prove himself able to take on Reagan himself. Manager Keene is right in saying: "He is well positioned within the party to take advantage of anyone's slipups. His cultural background makes him acceptable to the moderates and the Establishment and his politics are basically conservative." The candidate himself is looking ahead. Says Bush...

Author: /time Magazine | Title: Nation: George Is Coming On Strong | 12/3/1979 | See Source »

Benton gives Kramer vs. Kramer its lifelike quality by clearing away the artifice that most American film makers use to shape human experience into so-called entertainment. His screenplay strips away unnecessary detail and background from Gorman's novel; his direction concentrates on the characters' feelings above all else. Music is never used to heighten a scene, and the camera moves only when the actors' wanderings force it to do so. Benton's focus is so tight that Kramer shows a far more domestic and grittier view of Manhattan than the Allen and Mazursky films...

Author: /time Magazine | Title: Cinema: Grownups, A Child, Divorce, And Tears | 12/3/1979 | See Source »

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