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Prelude Sebastian Bach...

Author: NO WRITER ATTRIBUTED | Title: PROF. PAINE'S PIANO-FORTE RECITAL. | 5/6/1882 | See Source »

Cantata, "A Stronghold Saro."......Bach Bass Recitative, Mr. Whitney; Tenor Recitative, Mr. Candidos...

Author: NO WRITER ATTRIBUTED | Title: No Headline | 5/3/1882 | See Source »

After long and patient waiting, the soul-stirring strains of a Bach fugue, interspersed with variations from Haydn's Third Symphony, were heard, and presently the only, the inimitable brass band hove in sight, the bras being loaned, for this occasion only, by the Echo Board...

Author: NO WRITER ATTRIBUTED | Title: THE UNIVERSITY CIRCUS. | 6/18/1880 | See Source »

...programme at the third recital consisted of two movements from a Suite of Bach's; Sonates op. 31 and op. 110 by Beethoven; Nocturna op. 37 in G Major, and Tarentelle, by Chopin. The two Chopin numbers were very characteristic, especially the Nocturne; in fact, we know of no other single composition in which the peculiar and almost unique beauty of this thought is so clearly marked. This number was encored, and during the few seconds of applause certain men of '82 manifested an astounding desire to warm the hands. Mr. Paine's performance impressed us as notably conscientious...

Author: NO WRITER ATTRIBUTED | Title: PROFESSOR PAINE'S RECITAL. | 4/18/1879 | See Source »

...Boylston Hall. Before beginning his programme, he spoke briefly of the origin and development of instrumental music and of the Sonate form in particular giving the reasons for the number and sequence of the movements as well as the order of their component parts. His programme consisted of Bach's Italian Concerto in F major; Sonate Pathetique and Sonate op. 109 by Beethoven; Impromptu in G b major and Nocturne in E major by Chopin; and the Hunting Chorus from Mendelssohn's Songs without Words. The programme was one alike interesting in representing the evolution of instrumental music and strong...

Author: NO WRITER ATTRIBUTED | Title: PROFESSOR PAINE'S RECITAL. | 4/1/1879 | See Source »

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