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...Count Basie rhythm section (Jo Jones and the Count himself) are featured with the Benny Goodman sextet on I've Found A New Baby. Jones' drumming is superb, and well supported by Artic Bernstein on string bass. The reverse, Breakfast Feud, contains some tenor sax which shows Georgie Auld to be improving by leaps and bounds. There are few white tenor sax which shows Georgie Auld to be improving by leaps and bounds. There are few white tenor men who can come near him these days (COLUMBIA) . . . Reissue of the week is Ride Red Ride by the old Mills Blue...

Author: NO WRITER ATTRIBUTED | Title: SWING | 4/12/1941 | See Source »

...Quentin, and Scarlatti would have appreciated what harpsichordist Johnny Guarneri does to some of his own ideas (VICTOR)...Benny Goodman's latest twelve inch recording, Superman, is another elaborate Eddie Sauter orchestration, and features Cootie Williams pyrotechnics all the way through. There's also some tenor sax by Georgie Auld, who gets the same dirty tone out of his horn that Benny likes to use (COLUMBIA)... Metronome's 1941 All Star band has recorded One O'Clock Jump and Bugle Call Rag for VICTOR. Coupling can't help but be good, but unfortunately they have to squeeze in a chorus...

Author: By Charles Miller, | Title: SWING | 2/15/1941 | See Source »

...first place, and plays it in that light bounce that's becoming more and more identified with anything Goodman does. I liked the chorus best, with Count Basic playing melody against Benny's low register trill. Very original stuff. Reverse is a fast blues, Benny's Bugle. George Auld takes the honors on this. . . . It's open to question how long will Bradley can get away with recording Beat Me Daddy under various titles. This time it's Three Ring Ragout, a boogie-woogie version of circus parade music, and they do everything but shoot...

Author: By Charles Miller, | Title: SWING | 1/17/1941 | See Source »

Midnight, December thirty-first, will bring more to American music than countless renditions of Auld Lang Syne. From that moment forward radio listeners will be fed a new musical diet, the result of an unsettled grudge-fight between composers and broadcasters. The major networks promise to forget every one of the half-million tunes whose copyrights are held by the American Society of Composers, Authors, and Publishers. That organization promises it can survive without the royalties it asks of the radio chains. The efforts of radio's Broadcast Music Incorporated, along with the thousands of musical pieces whose rights...

Author: NO WRITER ATTRIBUTED | Title: SOUR NOTES | 12/18/1940 | See Source »

...thing about the record is the rhythm section, which is second only to the Count's. As a matter of fact, Basic plays piano here, and shares honors with Artic Bernstein (bass), Charley Christians (electric guitar) and Harry Jaeger (drums). Wholly Cats features the surprise of the year: Georgie Auld off tenor sax. Georgie used to be to the sax what Buddy Rich is to drums. Now he's playing swell horn, modelling his style on 'Coleman Hawkins', and you couldn't ask for a better master.... Dillagene, Woody Herman's new vocalist, does a nice job on Five...

Author: By Charles Miller, | Title: SWING | 12/7/1940 | See Source »

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