Word: asylumed
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...PERSECUTION AND ASSASSINATION OF JEAN-PAUL MARAT AS PERFORMED BY THE INMATES OF THE ASYLUM OF CHARENTON UNDER THE DIRECTION OF THE MARQUIS DE SADE. Under the direction of Peter Brook, Britain's Royal Shakespeare Company has successfully transformed Peter Weiss's hit play into a cinematic rowdydow no less frazzle-dazzling than it was on the stage...
...Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade, as written by Playwright Peter Weiss and performed by Britain's Royal Shakespeare Company under the direction of Peter Brook, was the decade's most cinematic drama. In a churning rowdydow of rant, cant, poetry, politics, music, magic, rite and ribaldry, the play moved across the stage like half a dozen movies mingling incompatibly on a giant screen. When Director Brook finally came to film the play, he simply let his cameras...
Time: 1808. Place: a bathhouse in the asylum where Sade spent the last 13 years of his life-and actually did write plays for the inmates to perform. Playwright Weiss supposes that Sade once wrote a drama in the form of a debate between himself and the great demagogue of the French Revolution. Marat (Ian Richardson) stands for social progress; he believes that the only way to improve people is to improve the society they live in, that violent revolution is the best way to begin. Sade (Patrick Magee) stands on the contrary for moral autarchy; he believes that...
...they get what they want. Marat, stabbed by a spastic Charlotte Corday (Glenda Jackson), lies weltering in his tub of blood. The director of the asylum and his guests politely applaud the conclusion of the piece; but the inmates, identifying with their roles, run suddenly amuck. Fighting, biting, ripping, raping, they swarm over the guards and the guests, they leap upon the camera and drag the spectator down into the delirium of a revolution that is suddenly no longer there and then but here, now, always...
...sanatorium (Mann), a concentration camp (E. E. Cummings), a university (Barth). First Novelist Peter Israel has gone a step further. His setting is a windowless labyrinth of long corridors and locked doors; its rules and workings resemble the capriciousness of Kafka's world. Whether it is an asylum or a prison, Israel never makes clear. More than anything else, it seems to be the author's vision of the enslaved human consciousness...