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...incompatible,” he said. “We fully intend to be a welcoming presence here—we want to be a good neighbor in Allston.” According to Lentz, the art museum would be equally dedicated to public use, artwork storage, and office and research spaces for Harvard faculty. He added that coordinated visits with local schools and workshops in print-making and photography would also benefit the community. Residents nevertheless still questioned the choice for the museum’s location. “It appears that this is a great-looking building...

Author: By Laura A. Moore, CRIMSON STAFF WRITER | Title: Officials Face Concerns Over Allston Expansion | 2/13/2007 | See Source »

Like a provocative lecture packed with unanswered questions, “Double Hung I,” the first of a two-part exhibition of student artwork at the Carpenter Center, left me yearning for resolution. “Double Hung I” intriguingly dangles conceptual ideas within viewers’ realm of understanding, but refuses easy answers. The exhibition displays a remarkable variety of media. Showcasing 18 works selected from undergraduate Visual and Environmental Studies (VES) classes, the exhibition includes works in oil paint, graphite, cardboard, Plexiglas, animation, and film. Department faculty selected the pieces, which present...

Author: By Lee ann W. Custer, CONTRIBUTING WRITER | Title: Double Hung | 2/8/2007 | See Source »

Broadly, opinion pieces fall into two categories: unsigned “staff editorials” that appear on the upper left-hand side of the editorial page each day, and signed op-eds, comments, columns, letters, and artwork that appear elsewhere. As an editorial board, we have two primary tasks: First, we comprise the bulk of the Crimson editors who debate the content of staff editorials (see more on staff editorials below), and second, we solicit and edit signed content...

Author: By The crimson editoral board | Title: The Crimson Editorial Board: How We Work | 1/31/2007 | See Source »

...generations ago, George Eastman, founder of Eastman Kodak, gave Rochester a movie house. Better than that, he commissioned a brilliant young painter to create posters of the films on view. Alas, many of those celluloid epics have long since been turned into banjo picks, but the artwork survives in Movie Posters: The Paintings of Batiste Madalena (Abrams; 64 pages; $14.95). Here the famous and the forgotten are captured in the forceful style of art deco. Once upon a screen, these vamps, clowns and pirates romanced in a world of black and white. But outside the theater, Madalena made them leap...

Author: /time Magazine | Title: Pleasures for the Holidays | 1/26/2007 | See Source »

...That's the point that I really decided that musically as well as in my personality I wasn't ever going to dilute anything," he says. Eventually, he struck a deal with Casablanca, which - although backed by giant Universal - gave him complete control, even of the album artwork. "I was going in with sketches and cartoon characters and showing them to my record company and they were freaking out because I hadn't even chosen my producer," he says. Through his music and those accompanying drawings, Mika has created a 3-D cartoon world populated by surprising characters like Billy...

Author: /time Magazine | Title: A Prejudice Goes Pop | 1/23/2007 | See Source »

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