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...long-term, it is easy to forget (or to never have known) that plans for development in Allston once included much more than simply the Science Complex. The University’s master plan comprised an initiative to move the Fogg Museum to Allston and to create a modern art museum in the neighborhood. A location was even selected for the project...

Author: By Sofia E. Groopman, CRIMSON STAFF WRITER | Title: Allston Expansion Engages with Arts | 4/20/2010 | See Source »

...emphasis on the arts element of the Allston plan was replaced with a focus on the Science Complex. That year, the University finally got the go-ahead from the Boston Redevelopment Association to break ground on the $1 billion state-of-the-art science research facility that it hoped would become a mecca for stem cell research. The project would herald a new concentration—Human Regenerative and Developmental Biology—and provide a space to house the department of Stem Cell and Regenerative Biology. But just four months ago, University President Drew G. Faust announced an indefinite...

Author: By Sofia E. Groopman, CRIMSON STAFF WRITER | Title: Allston Expansion Engages with Arts | 4/20/2010 | See Source »

...original delay on the construction of arts facilities in Allston has had ramifications even until the beginning of this year. In January, Helen Molesworth, the head of the modern and contemporary art department at Harvard, left the University for the Institute of Contemporary Art (ICA) in Boston...

Author: By Sofia E. Groopman, CRIMSON STAFF WRITER | Title: Allston Expansion Engages with Arts | 4/20/2010 | See Source »

...Exit Through the Gift Shop” is a nightmare of a film, but not in the way one might expect. Preconceptions of an aesthetically-pleasing, Banksy-produced documentation of Street Art tumble as quickly as one artist’s bucket of paint in the opening credits...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: Exit Through The Gift Shop | 4/20/2010 | See Source »

...film begins as a simple appraisal of street art, via the shaky lens of the camera-obsessed Guetta. He first trawls the streets of Paris, and then L.A., becoming the accomplice of numerous street artists. Guetta films almost every second of their work—the documentary is intense and fast-paced, twisting around every corner to capture a different artist at work: Shepard Fairey, Andre, Zeus, and Space Invader, to name...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: Exit Through The Gift Shop | 4/20/2010 | See Source »

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