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...Arthur Miller’s The Crucible was written heavy handedly about grave times and during comparably grim times. The length and gravity of the masterpiece, could, if performed prosaically, drag the audience into the grave along with John Proctor and Ann Putnam’s seven babies. Yet despite minimal distractions in the form of sets and costumes, the law school production of The Crucible managed to engage through its three-hour length...

Author: By Julie S. Greenberg, ON THEATER | Title: Review: 'The Crucible' Powerfully Reflects on Present | 4/26/2004 | See Source »

...ARTHUR AGATSTON by Joel Stein...

Author: /time Magazine | Title: Table of Contents: Apr. 26, 2004 | 4/26/2004 | See Source »

COVER: Photomontage by Arthur Hochstein MURDOCH: ALAN LEVENSON--CORBIS OUTLINE; BONO: SAM JONES--CORBIS OUTLINE; AGATSTON: BRIAN SMITH; NEELEMAN: ANDREW GARN; SUU KYI: EDDIE ADAMS--CORBIS OUTLINE; KIDMAN: JAMES WHITE--CORBIS OUTLINE; BECKHAM: DAMIEN MAGUIRE--ALLACTION/RETNA; IYENGAR: PABLO BARTHOLOMEW; JONES: CLAY PATRICK MCBRIDE--RETNA; OUTKAST: MATTHIAS CLAMER; VAJPAYEE: KAMAL KISHORE--REUTERS; ARMSTRONG: JONAS KARLSSON; KERRY: DAVID BURNETT--CONTACT PRESS; GALLIANO: ERIC RYAN--GETTY IMAGES; GIBSON: SAM JONES--CORBIS OUTLINE; KAUFMAN: SEAN GALLUP--GETTY IMAGES; MANDELA: PETER TURNLEY--CORBIS; BUSH: BROOKS KRAFT; ANNAN: WILLIAM COUPON--CORBIS OUTLINE; NAKATA: PHILIPP HOHNDORF--STARFACE/RETNA; SISTANI: HO; ABIZAID: AFP--GETTY IMAGES; ADRIA: RAPHO; OPRAH: FRAZER...

Author: /time Magazine | Title: Table of Contents: Apr. 26, 2004 | 4/26/2004 | See Source »

Shakespeare expert and all around English luminary Harold Bloom will speak on identification of great poetry from Chaucer through Frost. Tickets have been given out, but additional seating will be done on a first-come first served basis starting ten minutes before the event. 6 p.m. Arthur M. Sackler Museum...

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 4/23/2004 | See Source »

...Harvard Law School presents a modernist interpretation of Arthur Miller’s The Crucible. Director and professor Bruce Hay envisions the play as a parable of racial intolerance, including a controversial scene from the original script that’s found in the appendix and rarely performed, suggesting racial undertones in the work. Tickets $5 with Harvard I.D. (HBO). 7:30 p.m., with additional Saturday matinee at 2 p.m. Runs through April 24. Ames Courtroom Auditorium, Austin Hall...

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 4/23/2004 | See Source »

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