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Many a Sunday brunch has been ruined when I open the New York Times—eager to read an in-depth feature about this month’s offerings at the Museum of Modern Art—but find instead a rave review about an opening in Berlin. The...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: Non-Digital Art? That's so 20th Century | 9/30/2006 | See Source »

is a history of science and history of art and architecture joint concentrator in Currier House who hopes that her sense of humor isn’t significantly crippled by the exhaustion and anxiety provoked by 23 course requirements and a joint thesis. She would like to give a shout...

Author: NO WRITER ATTRIBUTED | Title: The Crimson Editorial Board is pleased to announce its Fall 2006 cartoonists | 9/28/2006 | See Source »

show that marked the reopening of the Museum of Modern Art of the City of Paris early this year before moving to Tate Modern in London. "Doors are something that define territory, right?" says Huyghe of his metaphor. "But as the doors are moving, and there are no walls, then...

Author: /time Magazine | Title: The Question Maker | 9/26/2006 | See Source »

I was going to become best friends with Kelly Clarkson this summer. She, touring Europe, would come into the National Museum of Contemporary Art in Athens and in her cheeriest tone, normally reserved for Proactiv skin care commercials, and ask me all about “transcultural communication networks between...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: Just Chilling. | 9/20/2006 | See Source »

Le Corbusier once famously said of the red-brick Faculty Club, “Tear it down.” While that may be an exaggeration, the truculent Swiss architect had a point: Harvard needs to stop letting its aesthetic sense be occluded by a puerile infatuation with the motifs...

Author: By Garrett G.D. Nelson | Title: Allston's Concrete Future | 9/19/2006 | See Source »

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