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Willows in the Amphitheatre. It was the note of exuberance and freshness in Stone's latest work that convinced the American Institute of Architects committee, charged with finding an architect for the U.S. State Department, that Stone was the man to design the Brussels pavilion. When he first visited the site two years ago, it was little more than a grassy, willow-studded park, staked out in a triangular plot, between the areas reserved for Vatican City and the U.S.S.R. Characteristically, he began sketching his design on the spot, seized on the site's natural amphitheater contours...

Author: /time Magazine | Title: Art: More Than Modern | 3/31/1958 | See Source »

...difference between make or break." Belgium's top contractor, Emile Blaton. made the project his particular baby. As a result, the U.S. Pavilion, one of the last to get started in Brussels, is among the first to be completed. Even more remarkable is the fact that Architect Stone stayed within 1% of the State Department's original $5.000,000 building budget...

Author: /time Magazine | Title: Art: More Than Modern | 3/31/1958 | See Source »

...artistic force in his family. She encouraged Ed in his talent for drawing, gave him an upstairs bedroom for his carpenter shop. There, as a boy of 14, Stone designed the structure that won his first architectural contest-a birdhouse for a contest sponsored by the local lumberyard. Budding Architect Stone's entry and first-prize ($2.50) winner: "A modest shelter for bluebirds, covered with sassafras branches...

Author: /time Magazine | Title: Art: More Than Modern | 3/31/1958 | See Source »

...storyteller and cartoonist. Beyond that, Stone seemed content to remain a lady's man (despite his baggy-kneed appearance) and to join the boys in downing mountain dew. Finally the spinster head of the art department took alarm, wrote to Ed's brother Hicks, an architect in Boston and 14 years Ed's senior: "This boy has divine talent. If you don't take him away from here and put him in school, it's a crime, and you're a wicked...

Author: /time Magazine | Title: Art: More Than Modern | 3/31/1958 | See Source »

Stone landed on his feet, with a $100-a-week job designing interiors for the new Waldorf, including the romantic trellised ceiling of the Starlight Roof. Within two years he had moved over to the new Rockefeller Center, where in the presence of "the prophets," Architects Raymond Hood and Harvey Corbett of the Rockefeller Center team that included fast-rising young architect Wallace Harrison, Stone was put in charge of the working designs for Radio City Music Hall, then as now the world's largest movie palace (6,200 seats...

Author: /time Magazine | Title: Art: More Than Modern | 3/31/1958 | See Source »

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