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Temples & Palazzi. For almost every other young architect at the time, about the only school that mattered was the Beaux Arts in Paris, which in the age of the machine was dutifully teaching the new generation how to put up Greek temples and Renaissance palazzi. But beyond the walls of the Beaux Arts, a few men were stirring restively. Among them was a gifted builder named Auguste Ferret, who was the first to prove convincingly how effective the plebeian material of reinforced concrete could be. Another was Architect Peter Behrens of Berlin, whose glass-and-steel industrial buildings were pioneers...

Author: /time Magazine | Title: Art: Corbu | 5/5/1961 | See Source »

...simple plan for the Domino house contained a principle that was to be basic to all of his planning thereafter. The six-column skeleton relieved the facades and the interior walls of support functions: they could thus be moved and molded at will, giving the architect all the prerogatives of the sculptor. The Domino houses were never built, but they "enabled us to say: 'There are no walls in the house. What shall...

Author: /time Magazine | Title: Art: Corbu | 5/5/1961 | See Source »

...credo of Purism, Jeanneret and Ozenfant started the magazine L'Esprit nouveau. The most important pieces were those on architecture, on which the two editors often collaborated and which Jeanneret signed with an old family name, Le Corbusier, in order to acquire a separate identity as an architect. The articles were the basis in 1923 of Le Corbusier's Towards an Architecture...

Author: /time Magazine | Title: Art: Corbu | 5/5/1961 | See Source »

...machine age, said Le Corbusier, the architect must take his cue from the engineer. "We have the American grain elevators and factories, the magnificent First Fruits of the new age. The American engineers overwhelm with their calculations our expiring architecture." He drew observations from everywhere: "The airplane shows us that a problem well stated finds its solution," but the "problem of the house has not been stated." Then, in his most famous dictum, he said that a house "is a machine for living in." The statement was not so inhuman as it sounded. Only architecture of "passion," he added, could...

Author: /time Magazine | Title: Art: Corbu | 5/5/1961 | See Source »

...Leger waited. "A few minutes later," he recalled, "I saw coming along, very stiff, completely in silhouette, an extraordinary mobile object under the derby hat with spectacles and a dark suit. He advanced quietly, scrupulously obeying the laws of perspective. The picturesque personage was none other than the architect Le Corbusier...

Author: /time Magazine | Title: Art: Corbu | 5/5/1961 | See Source »

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