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...Sardinian sculptures were paired off in the exhibition with works by such contemporary trail blazers as Picasso, Archipenko, Braque and Giacometti. The 20th Century sculptures were similar but less meaningful, for while the Sardinian bronzes embodied something of their own culture, the moderns reflected nothing except older and more earnest...

Author: /time Magazine | Title: Art: Big Little Bronzes | 5/22/1950 | See Source »

Latest dissident to disturb the art world's prevailing respect for the Museum's taste and influence is Russian-born Sculptor Alexander Archipenko. Archipenko is preparing a book entitled Why I Request to Remove My Works from the Museum of Modern Art. He declines to reveal his reasons until his book is on the counters...

Author: /time Magazine | Title: Art: Public Utility | 6/5/1944 | See Source »

...Curt Valentin, had chosen 26 assorted bronzes, terra cottas, plaster, wood and granite pieces by 16 of the ablest U. S. sculptors. All of them were U. S. citizens, but less than half of them were U. S.-born & bred. Deftest sculptures exhibited were by Ukrainian-born Abstractionist Alexander Archipenko, German-born Heinz Warneke, Spanish-born José de Creeft, who teaches at Manhattan's New School for Social Research...

Author: /time Magazine | Title: Art: Domesticated Chisels | 1/13/1941 | See Source »

Several landscapes by Adolf Dehn lend a placid note to an otherwise fantastic exhibit. With paintings by Grosz, Braque, Archipenko, and Gleizes decorating the walls, it might be assumed that the conservative Dehn watercolors would be reduced to insignificance. But Dehn does more than hold his own. His clear, wind-washed landscapes are executed in a manner similar to that of Edward Hopper. The colors are neutralized but are far from dirty; Dehn's whole technique is that of a careful, better-than-average artist...

Author: By Jack Wilner, | Title: Collections & Critiques | 2/26/1940 | See Source »

Brenda Putnam learned to sculp at the National Cathedral School in Washington and later under James Earle Fraser, Libéro Andreotti and Alexander Archipenko. Brown-eyed, dark-banged, slight and lively, she has worked and taught for years in a roomy studio on Manhattan's West 22nd Street. Summers, she and her father, Herbert Putnam, knock around in a sloop at North Haven, Me. Most of the last three years she has devoted to her book...

Author: /time Magazine | Title: Art: Brenda's Book | 6/26/1939 | See Source »

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