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...Anton Webern expanded the modem idiom by shrinking...

Author: /time Magazine | Title: Music: A Revolution in a Whisper | 11/5/1979 | See Source »

...more unlikely mountaineer could be imagined. Slight, sedentary, intensely fastidious, bored by hiking, Anton Webern nevertheless trudged determinedly up the alpine slopes of his native Austria. ''From time to time,'' he explained to his friend Alban Berg, ''I must breathe this air. Transparent, clear, pure-the heights...

Author: /time Magazine | Title: Music: A Revolution in a Whisper | 11/5/1979 | See Source »

Even the septuagenarian Igor Stravinsky converted to twelve-tone composition under the sway of ''St. Anton.'' Among lesser composers, instant Webernism-compressed structures, jagged melodic leaps, spare, pointillist orchestration-became a sort of standard, freeze-dried product in the 1950s and '60s. Now that the vogue has subsided somewhat, Webern is in danger of having come and gone as an avant-garde influence without ever being absorbed into the standard repertory. A more definitive assessment is needed...

Author: /time Magazine | Title: Music: A Revolution in a Whisper | 11/5/1979 | See Source »

...television screenplay, based on a novel by Anton O. Myrer '44, is appearing this week on NBC television. The final segment of a 3-part series airs tonight...

Author: NO WRITER ATTRIBUTED | Title: Harvard WWII Alumni Review T.V.'s 'The Last Convertible' | 9/26/1979 | See Source »

...preface to the play, he calls Heartbreak House "cultured, leisured Europe before the war." Elsewhere he dodges the issue of what it all means: "How should I know? I am only the author." Shaw subtitled the play "A Fantasia in the Russian Manner on English Themes" as homage to Anton Chekhov, whose Three Sisters appeared earlier this semester at the Loeb. The imprint of Chekhov's style is apparent in Shaw's reliance on dialogue, rather than physical action or plot development, to express characterization and the atmosphere of pre-war England. But while the Loeb production evoked a dismal...

Author: By Peter M. Engel, | Title: Heartbreak Hilarity | 4/27/1979 | See Source »

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