Word: annas
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Dates: during 1970-1979
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Although it has become a mockery of its original promise, the Revolution is unlikely ever again to be as frightful as it was under Stalin, if only because the Russian people are so much better informed now and probably would not stand for such mass terror. Then, the poet Anna Akhmatova wrote: "The stars of death stood over us./ And Russia, guiltless, be loved, writhed/ under the crunch of bloodstained boots,/ under the wheels of Black Marias." Life under Lenin's current successor has relaxed, grown somewhat less bleak, but there still seems no prospect that the mythology will...
...Ruth Anna, Mike Coffer--Sword-in-the-Stone Coffeehouse...
DIED. Uday Shankar, 76, India's most celebrated dancer and brother of Sitarist Ravi Shankar; of heart and kidney disease; in Calcutta. Shankar began his career as a painter but at 21 was discovered by Russian Ballet Dancer Anna Pavlova and invited to accompany her on a tour of the U.S. A decade later he returned to New York with his own troupe and introduced to the West a lavish, dramatic version of classic Indian dance. His dream, Shankar proclaimed, was to "create an atmosphere where the soul of India could speak...
...suited only for ambiguous character, and the Mays, Jim especially, are able to register the succession of differing emotions or the contradiction of several at once that this requires. In "A Short Lecture and Demonstration on the Evolution of Ragtime as Presented by Jelly Roll Morton," choreographed by Anna Sokolow, Jim--ardent, frightened, cool--partners Lorry-never anything but wacky--in a series of queerly-constructed waltzes, foxtrots, and tangos. As narrator Ed Di Lello reads Morton's account of how a dance tune became transformed in his "Tiger Rag," pianist Patricia deVore pounds out its variations...
...Wykell, Jim and Lorry crawl, never standing upright, at times like insects with spindly legs extending skyward, at times like bears rubbing noses. "Peer," choreographed by Patrice Regnier, deals with emotions that one friend called "primitive," another "childlike." Again, the animal tinges the human character. And finally, "Duet," from Anna Sokolow's "Lyric Suite," omitting the shading of animal character, presents the passions of young lovers...