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Costumes, too, reflect the production’s deliberate commitment to simplicity. As a result, the design adheres to traditional symbolism—white for the bride Zerlina, black for the mourning Donna Anna, a brown vest for the dingy servant Leporello, and a tuxedo for his master...

Author: By Jennifer D.M. Chang, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Simplicity Tells a Good Giovanni Story | 3/14/2005 | See Source »

...violinists, led by Anna L. Dickerman ’05 and Ian K. Goh ’06, are particularly remarkable and at times sound almost as if they are playing a single instrument, as they easily synchronize to toss off some difficult violin licks. To keep the music from becoming too heavy during the opera’s emotional ballads, the strings section play using specialized bow strokes with an expertise that betrays their experience as seasoned players...

Author: By Jennifer D.M. Chang, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Simplicity Tells a Good Giovanni Story | 3/14/2005 | See Source »

Ongoing through March 18. Intimacies featuring the work of Maggie Arnold and Anna Galloway Highsmith. Three Columns Gallery, Mather House...

Author: By Christopher A. Kukstis, CRIMSON STAFF WRITER | Title: Happening | 3/10/2005 | See Source »

...well-known opera tells the story of one Don Giovanni (split-cast between professional actors Joseph Hammer and Graham Wright), who rapes a woman named Donna Anna (Lauren Woo/Alisa Cassola) and kills her father. Donna Anna makes her fiancé, Don Ottavio (Frank C. Napolitano ’04/Philippe Pierce) swear to take revenge on her behalf...

Author: By Emily G.W. Chau, CRIMSON STAFF WRITER | Title: LHO 'Don Giovanni' Keeps Opera Relevant | 3/10/2005 | See Source »

Ongoing through March 18. Intimacies featuring the work of Maggie Arnold and Anna Galloway Highsmith. Three Columns Gallery, Mather House. Admission free...

Author: NO WRITER ATTRIBUTED | Title: Happenings Listings | 3/3/2005 | See Source »

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