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...Anglo-American theater, the most important creative artist is normally the playwright or an actor. On Continental stages, from Munich to Moscow, it is almost always the director, who becomes as much of an auteur as in film. Even classic texts serve as mere points of departure...

Author: /time Magazine | Title: Classical Spellbinder | 10/5/1992 | See Source »

Mitterrand, whose reputation as a political genius had already been tarnished by his appointment of Edith "Anglo Saxons are homosexuals and Japanese are ants" Cresson as Prime Minister last year, has seen his ploy--and his popularity--explode in his face...

Author: By Jacques E.C. Hymans, | Title: Misjudging Maastricht | 10/2/1992 | See Source »

...less mealymouthed defense of the American character would begin by acknowledging its historical roots in the behavior of the Anglo settlers of 200 and 300 years ago -- what are known today as Wasps. The Ur-Wasps brought with them a load of cultural baggage, which they unpacked when they arrived. Their load included a politics of natural right, derived from English Whigs; Protestant churches, mostly Bible reading and "low" in ritual and theology; and a near religious belief in the virtues of working hard and getting rich. These traits reinforced one another: pulpits proliferated under nonauthoritarian government, and the work...

Author: /time Magazine | Title: We Can All Share American Culture | 8/31/1992 | See Source »

MOST PEOPLE THINK OF CLASSICAL MUSIC as a white enterprise, but two new chamber-music CDs from Koch International Classics celebrate a pair of worthy black composers. The felicitously named SAMUEL COLERIDGE-TAYLOR (1875-1912), an Anglo-African, was equally at home in the Dvorak-tinged idiom of his Clarinet Quintet and the simple strains of Negro spirituals, which he set compellingly for piano. The album boasts fine performances, especially by pianist Virginia Eskin. WILLIAM GRANT STILL (1895-1978) was similarly eclectic. A staff arranger for the Paul Whiteman band, he could pen a delicate gem like the Seven Traceries...

Author: /time Magazine | Title: Short Takes: Jul. 20, 1992 | 7/20/1992 | See Source »

This concept springs from Robb's Christian Identity theology, an obscure faith shared by many white supremacists. Descended from a shadowy 19th century creed known as Anglo-Israelism, Identity interprets the Bible to mean that white Europeans, and thus their American descendants, are God's true chosen people. Though not endorsed by all believers in this anti-Semitic faith, the use of violence has been linked to the Order, a radical fringe underground group that sought unsuccessfully to overthrow the government in the mid-1980s...

Author: /time Magazine | Title: White & Wrong | 7/6/1992 | See Source »

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