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PERSONA. Swedish Director Ingmar Bergman's 27th film (and first in 2 years) is a difficult but rewarding study of the psychological transference between an actress (Liv Ullman), who stops participating in life, and a nurse (Bibi Andersson), whose personality becomes enmeshed in that of her actress-patient...

Author: /time Magazine | Title: Television: Mar. 24, 1967 | 3/24/1967 | See Source »

...production of Electra. She is afflicted with what medieval theologians called accidie-a total indifference to life. Her doctor insists that her inactivity is simply another form of roleplaying, and he sends her packing to a villa on the Baltic in the company of a nurse (Bibi Andersson...

Author: /time Magazine | Title: Cinema: Accidie Becomes Electro | 3/17/1967 | See Source »

...hero's own door. The dead man has been betrayed by his wife (Simone Signoret), a Russian agent. The wife in turn is betrayed by the spymaster (Maximilian Schell) who employs her. The spymaster then betrays the hero, a longtime friend, by seducing his sex-starved wife (Harriet Andersson). But the hero, in the last analysis, perpetrates the ultimate betrayal: he is false to himself...

Author: /time Magazine | Title: Cinema: Living Lies | 1/27/1967 | See Source »

...pivotal role is played by Sweden's Bibi Andersson, who lends flickering pathos to the film as a settler's wife. Kidnaped once by Apaches, she yearns to go back to the tribe because her husband (Dennis Weaver) doesn't think any decent woman should have lived through the ordeal, much less have borne a son to an Indian chieftain. Bibi is de fended by a trail scout (James Garner), who is determined to find the marshal who slew and scalped his Comanche wife. Broncobuster Sidney Poitier and Scottish Cavalryman Bill Travers pointedly underplay the long thought...

Author: /time Magazine | Title: Cinema: Frontier Freedom Riders | 7/1/1966 | See Source »

...Gunnel Lindblom, is a sullen servant wretch whose impending miscarriage climaxes a lifetime of disappointments. Having lost a girlhood lover, she barely tolerates marriage to a handyman she loathes. Angela (Gio Petre) is a young aristocrat, seduced and abandoned by her aunt's former paramour. Agda (Harriet Andersson) is a trollop who took sweets from a lecherous stranger at nymphet age, and has been surpassingly generous to menfolk ever since...

Author: /time Magazine | Title: Cinema: By Northern Lights | 3/18/1966 | See Source »

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