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...alter ego of Director François Truffaut, the character called Antoine Doinel made his first appearance eleven years ago in The 400 Blows as a lonely, desperate adolescent. Then came Love at Twenty and Stolen Kisses, in which the youth edged toward maturity. Now Antoine-who has been portrayed throughout by the remarkable Jean-Pierre Léaud-and Christine, played by Claude Jade, are ready for conjugal love. Truffaut begins the funny, futile years of their marriage (and ends the autobiographical series) with Bed and Board...

Author: /time Magazine | Title: Cinema: Painless Memoirs | 2/8/1971 | See Source »

...route to Miami, I was already bothered by the noisy insufficiencies of my own world. At the airport my sleepy irritation was jarred by a platinum wig, perched on a mannequin head, that watched dumbly while its brunette alter-ego harangued a porter. I drove through Miami Beach to indulge myself in a deluge of costumes and Cadillacs. Later, in Palm Beach, Harold's grocery truck (of Southampton, L.I., and Palm Beach) sped by advertising pheasant and fresh caviar. At Hamburger Haven I was handed hamburgers by a waiter in a cashmere sweater and Gucci shoes (no socks). In front...

Author: By Christopher Cabot, | Title: Intersession Back from the Bahamas | 2/1/1971 | See Source »

Skating to the Rachmaninoff Second Piano Concerto. Petkevich had to alter his routine on the ice when the record missed and cut out some 12 seconds of music. Taking out two planned triple jumps, he made the transition so smoothly that the mistake did not keep one judge from awarding him a perfect 6.0 for composition and style. Five judges gave him 5.9 and the seventh...

Author: NO WRITER ATTRIBUTED | Title: Petkevich Takes National Title | 2/1/1971 | See Source »

...This is a flimsy excuse. The research time and money represented by EVR would have equally sufficed to develop and perfect a tape system subsuming EVR's picture resolution and information access while also having a record mode compatible with most TV cameras. Excepting time-choice, EVR does not alter the general complexion of television viewing....EVR is an extension of the CBS network, a tautological tool-not a tool for creating a new variety of network. It fails to put the 'consumer' in direct contact with the processes directing the in-formation he receives-his information continues...

Author: By R. CRAIG Unger, | Title: Cables and Cassettes-The Television Revolution | 1/29/1971 | See Source »

...past year, he said, "was filled with anxiety during its passage. Yet now in retrospect it appears to have been a constructive period when attitudes began to alter, and restorative forces reasserted themselves...

Author: By Carol R. Sternhell, | Title: Pusey's Last Annual Report to Overseers Says Time 'Propitious' for New President | 1/18/1971 | See Source »

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