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Word: altare (lookup in dictionary) (lookup stats)
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...heard the news then. Joe heard it later when Ted telephoned him. Rose went to St. Francis Xavier Church, where a wing had been built in Joe Jr.'s memory, where a bronze plaque marks the pew that Jack used to occupy, where Bobby once served as an altar boy. Later that day, Cardinal Cushing came to offer what comfort he could. "She has more confidence in Almighty God," he said, "than any priest I have ever...

Author: /time Magazine | Title: Nation: A LIFE ON THE WAY TO DEATH | 6/14/1968 | See Source »

...began to dance toward the altar, her arms gracefully beckoning the 1,400 Protestants and Roman Catholics in attendance to join her in worship. By the altar, she performed a symbolic offertory. Later, she danced a joyous finale entitled God Is Light, then twirled daintily back up the aisle and slipped out of the church door...

Author: /time Magazine | Title: Liturgy: The Dancing Nun | 5/17/1968 | See Source »

Samson and Delilah displays all of DeMille's virtues and few of his faults. Despite a mawkish prologue ("Human dignity perished on the altar of Idolatry"), the mating of liberty with monotheism is less corny than in The Ten Commandments. The vitality of villainy provides the film's greatest fascinations; DeMille stood foursquare against sin but always loved the chance to show just how much sin he was against...

Author: By Stephen Kaplan, | Title: Samson and Delilah | 4/27/1968 | See Source »

...minutes later, two left field youths vaulted their barricade to meet the understanding idol. Then there was another pair from right, greeting Joe LaHoud (welcoming the rookie to Fenway no doubt), shaking with Reggie Smith (who gave them a friendly pat with his glove) and then approaching the altar in front of the Green Monster...

Author: NO WRITER ATTRIBUTED | Title: SPORTS of the 'CRIME' | 4/17/1968 | See Source »

...life's amenities, from family to furniture, and who, alone at last, must consider himself. Shuman, portraying The Smurtz, is a character from a play by Leland Moss, based, as they say in the movies, on an idea by Boris Vian. While Hamlin agonizes, Shuman methodically constructs an altar to the America of puerile plastics and persuasive packaging, raising a miniature tower of cereal boxes and cleanser cans. The Smurtz Vian wrote was a sort of ambulatory picture of Dorian Grey, a silent and spongy presence who absorbed power from the gratuitous violence continually inflicted on him, an embodiment...

Author: By Peter Jaszi, | Title: The Empire Builders | 4/12/1968 | See Source »

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