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...that can be seen at the Art Institute of Chicago until June 20 and then moves to the Museum of Modern Art in New York City. Why focus on just four years? Because they were a moment when Matisse fundamentally reinvented painting. His works of that period - there are almost 120 in the show, including canvases, prints, drawings and sculptures - truly were radical inventions, new answers to the fundamental question of how to construct a picture. They were also, no surprise, considered ugly and incomprehensible in their time. Matisse once said he wanted viewers to feel about...

Author: /time Magazine | Title: Great Leap Forward: Matisse in Chicago | 4/12/2010 | See Source »

Even in his portraits, like The Italian Woman, Matisse could almost entirely transform the sitter, because he was confident that feeling in a painting was conveyed not by physical appearance or facial expression but by the sum of the impressions created by line and color. Often he began a picture with something like a realistic scene, then distilled it repeatedly. This is what happened with his magnificent Bathers by a River. When he started the large wall painting in 1909, it was a panorama of voluptuous women in bright colors. When he finished it seven years later, the women were...

Author: /time Magazine | Title: Great Leap Forward: Matisse in Chicago | 4/12/2010 | See Source »

...vexed that Clash was converted at the last minute from 2-D to fake 3-D. (Call it faux-D.) Costing $125 million to make (compared with Date Night's $55 million), the movie has already earned $110 million in North America and another $45 million abroad. Action movies almost always do better in foreign markets than comedies. Baby Mama, for example, took in $60.5 million at home and only $3.7 million in the rest of the world. (See pictures of Steve Carell...

Author: /time Magazine | Title: Box-Office Weekend: Tina Topples, or Ties, Titans | 4/11/2010 | See Source »

...Blue," a tribute to the pill-popping entourage that surrounded the "Iron Butterfly," as she was known, recalls the cooing stomp of ABBA; Kate Pierson of the B-52s belts "The Whole Man" as if it's one of her own hits. "The text on that one is almost one hundred percent taken from one of Imelda's wackier speeches," Byrne says. "She got into her own kind of cosmology where binary code, zeroes and ones, would turn into flowers and trees and heart shapes, and she'd give these speeches and do drawings at the same time...

Author: /time Magazine | Title: The Imelda Marcos Story — As Told by David Byrne | 4/10/2010 | See Source »

...organizations. These were applications into which I had poured several hours each, filling out endless forms, crafting cover letters, asking for recommendations, and writing essays. Time and effort that, for the all reaction I got, might have been better spent hanging with my friends or getting homework done. It almost makes you wonder if your application was even considered, even read, even opened in the first place...

Author: By Maya E. Shwayder | Title: The Silent Treatment | 4/9/2010 | See Source »

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