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Look at me now, ain't I a sight. Eyes bloody red, face puffy white, Hair tangled up, wrinkled old clothes. I'm a living example of a big overdose. Of wine, women and loud happy songs...

Author: /time Magazine | Title: Music: Y'AII Come Hear Ringo | 10/26/1970 | See Source »

...that would make a dogie bleat in an guish. Screenwriters Lukas Heller and David Goodman apparently drew their ideas from The Misfits and The Wild Bunch and hawg-tied them with early Zane Grey dialogue. The resulting wrangle is a tale of aging cowpokes in a changing West that ain't worth the price of a good branding iron...

Author: /time Magazine | Title: Cinema: Hawg-Tied and Saddle Sore | 10/26/1970 | See Source »

...first to understand the gulf between the grand style of Southern tradition and the dull realities of Southern living. You can still see the conflict in the South, tiresome old cars with a license plate on the front bumper that pictures a Confederate general shouting "Hellno, we ain't quit," or in the elementary schools that teach the kids to sing Dixie with solemnity and pride...

Author: By Robert Crosby, | Title: The Gut-Bucket Sound And a Little Slice of Hick | 10/19/1970 | See Source »

When he finally made the Tonight Show, he remembered all his own rules as he rendered his version of the discovery of America. Chris warns Isabella, "If I don't discover America, there ain't gonna BE no Ray Charles." Isabella then shrieks in the now-famous falsetto, "Chris gonna FIND Ray Charles." Since then Flip has sharpened and refined his style, which leans primarily on storytelling and body action rather than zingy punch lines. Even with all of the mugging, eye rolling and Negro dialect, Wilson's routines are inoffensive and totally devoid of racial rancor...

Author: /time Magazine | Title: Television: I Don't Care If You Laugh | 10/19/1970 | See Source »

...dream. Though he played it 429 times onstage, Jones has, if anything, grown fresher. He does not act the part so much as consume it, then let it shine out of his eyes and resound in his mouth: "If I lets it go too long, then everybody say, now ain't dat one shiftless nigger . . . an' if I chop him down quick, then dey holler dat po' man up dere fightin' a go-rilla!" When white folks watch, Jefferson plays animal or vegetable. The 250-watt Satchmo grin flicks on at will, the massive shoulders shrug...

Author: /time Magazine | Title: Cinema: Melted Copper | 10/19/1970 | See Source »

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