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Word: aestheticized (lookup in dictionary) (lookup stats)
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Wendy Walker's expressive self-portrait, dramatic in its russet, green and purple facial tones, is a forceful and moving expression. David Fitcher's silkscreen of a contorted American flag lying amid a claret and orange landscape ably controls, through an appreciation of the organizing effect of color, both its...

Author: By Gwen Kinkead, | Title: Student Art H-R Art Forum through May 2 at the Fogg | 4/30/1971 | See Source »

A Materialist Cinema: It is the duty of the cinematic revolutionary to illuminate, develop, and demystify the daily contradictions that make the revolution-a hope, an option, a necessity, a reality-in the minds of the oppressed. He must never neglect the all-important relation between analysis and praxis, nor...

Author: NO WRITER ATTRIBUTED | Title: The Big Question | 4/16/1971 | See Source »

Lonnie Corder, a 19-year-old University of Oklahoma freshman, recently placed a classified ad in the Oklahoma Daily: "Are your parties a little dull? Rent a hippie. Nothing that will spoil the atmosphere, just add that little aesthetic flavor." Now, at $10 an hour, some affluent gentry of Norman...

Author: /time Magazine | Title: The Nation: Rent A Hippie | 4/5/1971 | See Source »

In the first four episodes, hero Scott takes girl-friend Emily to see Citizen Kane. discusses the film with her and his love-life with friends B. N. C. and Harvard culture-cultist Steve, takes his suit to the dry cleaners in preparation for a date at the Museum of...

Author: By Bill Beckett, | Title: Soap Operas Harvard Square | 3/31/1971 | See Source »

WHILE the filmmaker-revolutionaries of our "developed" culture are busily spinning abstract "fabrics of contradiction," using the formal tools of High Intellectuality, Glauber Rocha has created a vital and concrete anti-imperialist Cinema Novo in Brazil with the forms of a crude dialectic generated organically out of revolutionary struggle. The...

Author: By Jim Crawford, | Title: FilmsTerra em Transe | 3/19/1971 | See Source »

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