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Word: aestheticized (lookup in dictionary) (lookup stats)
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That sly, unpredictable and difficult old Dutch master of abstract expressionism, Willem de Kooning, turned 70 this year. Ever since the '40s it has been De Kooning's fate, as Harold Rosenberg once observed, to be considered in decline; almost every change in his art, from the Women...

Author: /time Magazine | Title: Art: The Painter as Draftsman | 6/17/1974 | See Source »

De Kooning is a traditional kind of draftsman, and his work with pencil or crayon always pursues an active, symbiotic relationship with his paintings. Drawing explores and refines but does not quite fix an inventory of shapes that eventually find their way onto the canvas. It is a way of...

Author: /time Magazine | Title: Art: The Painter as Draftsman | 6/17/1974 | See Source »

Burgess grants Napoleon both genius and idealism, but he has great fun exploring the Emperor's lack of moral sensitivity and aesthetic judgment. As the torch carrier of the Enlightenment, a kind of social engineer who believed man was perfectible through political institutions, Burgess's Napoleon ignores the...

Author: /time Magazine | Title: Books: Grand Illusions | 5/27/1974 | See Source »

But Back Bay expert Ahern, a collaborator with Pei on the Harbor Towers Project, voices a different, aesthetic concern about the buildings: "The towers are ponderous, lifeless, and uninspiring. They are just big tons of concrete, and really don't fit in."

Author: By James Cramer, | Title: I.M. Pei: Is Luck the Residue of Design? | 5/20/1974 | See Source »

But Jack Feeley, director of public information for Hancock, said last week that his firm had told Pei only "to create a site that would accomodate space needs and have aesthetic qualities at the same time." And architect Henry Cobb, in Nadel's Esquire article, said he decided himself that...

Author: By James Cramer, | Title: I.M. Pei: Is Luck the Residue of Design? | 5/20/1974 | See Source »

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