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Word: aestheticized (lookup in dictionary) (lookup stats)
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"I'm an urban creature; the countryside frightens me," says Kyoto-born Noboru Tsubaki, whose Fresh Gasoline, 1989, a 9-ft.-high bulbous yellow pod, is the most startling work in the show. The creepy beauty and rich surface texture of Tsubaki's monstrous blob, with tentacle-like branches sprouting...

Author: /time Magazine | Title: Art: No More Tributes to Mount Fuji | 7/31/1989 | See Source »

) Bad popular artists come and go, but there is a degree of aesthetic literacy that cannot be faked. Wilmarth's originality was of the only kind that counts, born of long reflection on the past. He was a child of the museum, which is why this posthumous show seems so...

Author: /time Magazine | Title: Art: Poetry In Glass and Steel | 6/26/1989 | See Source »

The further irony was that regionalism, supposed to be the expression of American democracy, was in its pictorial essence the kissing cousin of official Soviet art in the '30s. If socialist realism meant sanitized images , of collective rural production, new tractors, bonny children and muscular workers, so did the capitalist...

Author: /time Magazine | Title: Art: Tarted Up Till the Eye Cries Uncle | 5/1/1989 | See Source »

Falling into the former category are Goldstone and Brun. Goldstone brings to the role of Algernon a languorous drollery that epitomizes the Wildean aesthetic. Brun lets the tiniest hint of whimsy animate his Lane, transforming a minor character into an indispensable one.

Author: By Glenn Slater, | Title: In Wild Earnest | 4/14/1989 | See Source »

It's good that at least they're writing about all this in the newspapers. Glasnost provides salvation from psychological destitution. But it's still a long way from physical evidence of perestroika. The gypsy cabdriver who drove us from the airport remarked in a melancholy tone of voice on...

Author: /time Magazine | Title: Essay: Would I Move Back? | 4/10/1989 | See Source »

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