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...could effectively punish the Western powers by such means is widely disputed. But it is clear that the revolution in oil, while it could provide the Arab nations with an Aladdin's lamp of riches for development, can also increase the volatility of a historically unstable region. Its advent makes even more urgent the need for a break in the impasse...

Author: /time Magazine | Title: MIDDLE EAST: The Arab World: Oil, Power, Violence | 4/2/1973 | See Source »

...sleeping through the descending darkness. She does not see the lessening light which produces strange crying shadows on the walls and floor. When she awakens, she will smell rather than see the dingy orange glow. The advent of the day's hour which always bring her wandering to it's unsatisfied end. The hour of streetlights and sharp rank neon. She will smell the colors, and the time, rather than see them...

Author: By Alta Starr, | Title: A Southern Sister/Inside This Closed Northern Shit | 3/27/1973 | See Source »

Women have always worked. Traditionally, countless women labored in the home to meet family clothing needs. While the advent of the machine altered these domestic origins, handwork remains essential to the manufacturing process...

Author: NO WRITER ATTRIBUTED | Title: Making the Clothes that Others Wear | 3/8/1973 | See Source »

...Graham and Doris Humphrey, ballet with Karel Shook. Since the rise of his own company, he has continued to freelance extensively as a choreographer. His iconoclastic Feast of Ashes, created for the Joffrey Ballet in 1962, signaled a new fusion of classic ballet and modern dance styles, or the advent of what can only be called the Ailey style. "What I like," he says, "is the line and technical range that classical ballet gives to the body. But I still want to project to the audience the expressiveness that only modern dance offers, especially for the inner kind of things...

Author: /time Magazine | Title: Music: The Ailey Style | 2/26/1973 | See Source »

...hoped. Presumably to avoid any overtones of pedantry. Thomas is quite casual in his commentary on the pieces: and the rambling result is often less than illuminating. Debussy's Jeux was the most complex work presented: and, as Pierre Boulez, who 'discovered' the work, lucidly notes. "Jeux marks the advent of a musical form which, instantly renewing itself, involves no less instantaneous mode of listening." Thomas excerpted several logical examples in attempting to facilitate the comprehension of this difficult genre of continuous musical development: but they were quite short, weakly described, and besides, the orchestra got lost...

Author: By Stephen E. Hefling, | Title: Michael Tilson Thomas | 1/17/1973 | See Source »

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