Word: actresses
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...DIED. MAUREEN STAPLETON, 80, brilliant, adamantly unglamorous actress who, despite an utterly unpretentious style?"The main thing is to keep the audience awake," she said of her craft?won awards and critical raves for astute, rich performances over her 60-year career; in Lenox, Massachusetts. She got her break in 1951 as a passionate Italian-American widow in Tennessee Williams' The Rose Tattoo, for which she won a Tony Award. Later she created roles in such Neil Simon plays as Plaza Suite, and won an Oscar for her portrayal of anarchist Emma Goldman in the 1981 film Reds...
DIED. MAUREEN STAPLETON, 80, brilliant, adamantly unglamorous actress who, despite an utterly unpretentious style--"The main thing is to keep the audience awake," she said of her craft--won awards and critical raves for astute, rich performances over her 60-year career; in Lenox, Mass. She got her break in 1951 as a passionate Italian-American widow in Tennessee Williams' The Rose Tattoo, for which she won a Tony. Later she created roles in Neil Simon plays like Plaza Suite and won an Oscar for her portrayal of anarchist Emma Goldman in the 1981 film Reds...
...pretty good indication of what's on his hyperkinetic mind. O.K., there's a Google Images window open, where he's chasing down pictures of Keira Knightley. Good ones get added to a snazzy Windows Media Player slide show that serves as his personal e-shrine to the actress. Several IM windows are also open, revealing such penetrating conversations as this one with a MySpace...
...Actress Laurel T. Holland ’06 explains that for her role as the plain and abused daughter, Gerda, “Rowan invested a lot of faith in me beyond the persona of what Laurel Holland appears to be. It is harder to play the roles that are more pained, and it is easier to play the ostentatious roles,” she says...
...lead, Barnard, whose sultry angelic voice shows so much promise, was one of these performers who proved disappointingly bland as an actress. Although her singing is technically perfect, her accompanying movements are stiff and artificial—an enormous contrast to her counterpart, Haas, whose acting seems so realistic and instinctive...